Following on from yesterday’s blog, here are some more Celtic Connections recommendations for the latter half of the festival.
The Angolan-Portuguese DJ Pedro Coquenão, aka Batida (pictured left, photo by Manuel Lino), released his debut album on the hip Soundway label (a Top of the World in #84) and he’ll be supporting French Gypsy-swingers Caravan Palace (January 24, O2 ABC).
The premiere of a sea-themed collaboration, Dán, by some top-notch Celtic and Breton musicians including band members from Kan and Guidewires and Gaelic singer Alyth McCormack (January 24, Old Fruitmarket).
Burns Night sees a specially-commissioned evening of music, courtesy of Scots Trad Music Award-winners Breabach and Kathleen MacInnes, together with Blazin’ Fiddles and Dougie MacLean (January 25, Concert Hall).
If anyone has mastered the art of cloning, it’ll come in very handy for the night of January 26 when there are no less than 13 artists who I’d go and see without any hesitation. They include: Sarah Jarosz, Baloji, Katy Carr, The Be Good Tanyas, The Halton Quartet, Mike McGoldrick’s band and Duncan Chisholm (whose latest release Affric was one of my favourite albums of 2012) (Various venues).
Last issue’s cover star Bassekou Kouyaté and his band Ngoni ba team up with fellow Malians Sidi Touré and Tamikrest for Sahara Soul (January 27, Concert Hall).
The Radio 2 Folk Awards will be broadcast live from Glasgow for the first time, hosted by Julie Fowlis and Mark Radcliffe, plus performances by some of the winners (January 30, Concert Hall).
Songlines faves Anda Union are bound to go down a treat in Glasgow. They’re on the same billing as the equally impressive Frigg who have a Top of the World review in the next issue, #90 (January 30, Old Fruitmarket).
The highly-acclaimed Scottish singer Karine Polwart and US stars Anaïs Mitchell and Jefferson Hamer (also with a Top of the World in #90) (February 2, City Halls).
The final day sees singer-songwriter and guitarist Sorren Maclean from Mull take part in the New Voices initiative that showcases new talent (February 3, Mitchell Theatre).
On top of all that, there are workshops galore, an open stage and a late-night festival club – so many reasons why I wouldn’t want to be heading anywhere else this month. Now, how quickly can I get myself up to Glasgow…