By the time Dimanche à Bamako was released in 2004, the blind Malian couple Amadou Bagayoko and Mariam Doumbia had been playing together for 20 years. International success came after they moved to Paris in the late 90s, and three fine albums of distinctive Afro-blues followed to establish them as one of West Africa’s best-selling acts. But what made Dimanche à Bamako a career highlight was the presence of the mercurial Manu Chao as producer. The result was the duo’s most diverse and joyous album, a thrilling mix of Amadou’s deep blues guitar, Mariam’s wailing vocals and Chao’s unique global Gypsy touches. Chao contributed several tunes, including the effervescent ‘Taxi Bamako’ and the global mash of ‘Sénégal Fast Food’. His trademark kinetic energy is in ample evidence and the cop-car sirens, the seamless segues, the ambient street sounds and the eclectic instrumentation could all have come from a Manu Chao record.
But this was no takeover bid – Dimanche à Bamako is very much an Amadou & Mariam record, which Chao merely enhanced by sprinkling over it a little of his technicolor magic dust. ‘Coulibaly’ layers African harmonies and bluesy guitar over a swirling rhythm of clattering percussion, Amadou’s magisterial ‘La Réalité’ drives relentlessly and on ‘Camions Sauvages’ Mariam even flirts deliciously with rap. The duo has since collaborated with numerous other Western musicians from Damon Albarn to the Scissor Sisters. But none has matched the joie de vivre that Chao brought to this set.