Posts Tagged ‘mali’
Photography by Youri Lenquette
Five previously unreleased tracks from Toumani and Sidiki have been made available as a digital-only EP through World Circuit Records
Taken from the recording sessions for their self-titled debut as a duo earlier this year, the five tracks are a welcome extension of this widely-acclaimed album. A Top of the World selection in our 100th issue, Toumani & Sidiki was only the third album of kora duets ever recorded, and ‘every note in [its] rich tapestry of strings is exquisitely calibrated in the pursuit of perfection’.
European tour dates:
October 29 | Treibhaus, Insbruck, Austria
October 30 | Moods, Zurich, Switzerland
October 31 | La Spirale, Fribourg, Switzerland
November 1| Festival B-Sides / Luzern / Switzerland
November 2 | Palace / St Gallen / Switzerland
November 5 | Porgy and Bess / Vienna / Austria
November 13 | Bozar / Bruxelles / Belgium
November 14 | De Roma / Antwerp / Belgium
November 15 | Rasa / Utrecht / Netherlands
November 17 | Bimhuis / Amsterdam / Netherlands
November 18 | De Centrale / Gent / Belgium
Toumani & Sidiki perform for a BBC 2 live session at Glastonbury 2014:
Tamikrest are embarking on a nine-date tour of the UK starting on October 30 at the Ulster Bank Belfast Festival at Queen’s University in Belfast.
The young Touareg rockers released their third album Chatma in September 2013. Meaning ‘sisters’ in Tamashek, it is dedicated to the Touareg women who have suffered during the war in Mali. The album was met with great critical acclaim and the band were revered for taking their iconic desert rock sound to brave, brilliant directions, incorporating psych-rock, indie, dub and funk.
Chatma’s sucess helped Tamikrest secure the award for Best Group in this year’s Songlines Music Awards, and one of the shows includes a very special evening at Sage Gateshead on November 6 for the Songlines Music Awards Winners’ Concert (tickets are still available).
Video for ‘Djanegh etoumast’
Words by Nigel Williamson
The kora is an age-old instrument, rich in history, yet its promotion as a solo instrument is relatively recent. This is only the third album of kora duets ever recorded, and all three have involved the Diabaté family. Toumani’s father Sidiki recorded the first, Ancient Strings, with Djelimady Sissoko in 1970. Their two sons Toumani and Ballaké Sissoko followed with New Ancient Strings in 1997. Now Toumani has teamed up with his son Sidiki on an album produced by Nick Gold and Lucy Durán. It’s brimming with burnished melodies and virtuoso playing and the production is pristine. Yet perhaps the most impressive aspect is the sheer diversity of the sonic palette.
We think of the kora as possessing a distinctive trademark sound; but on almost every track here the instrument exhibits a markedly different nuance of tone, tuning, resonance, or harmonic character. On ‘Hamadoun Toure’, a century-old Gambian tune, the tinkling arpeggios take on a harpsichord-like sonority. It hardly sounds African at all and it certainly doesn’t sound remotely ancient; the work it most brings to mind is A Rainbow in Curved Air by minimalist Terry Riley. On ‘Lampedusa’, composed in memory of the 300 African migrants who died in the shipwreck off the Italian island in 2013, one of the koras rings like a classical guitar, while the other ripples like a Welsh harp. But who is playing what is impossible to discern, so intricately are the strings of father and son interwoven. Each piece is given a contrasting mood – reflective, energetic, hypnotic, dynamic – often conveyed by striking changes of rhythm or tempo. ‘Rachid Ouiguini’ and ‘Bagadaji Sirifoula’ are spritely. ‘Toguna Industries’ is stately and processional. The rhapsodic ‘Bansang’ evokes a more dream-like sensibility. Every note in this rich tapestry of strings is exquisitely calibrated in the pursuit of perfection.
Track to Try: ‘Hamadoun Toure’
Words by Nigel Williamson
Perhaps it was recording 2012’s Brothers in Bamako with the American bluesman Eric Bibb that persuaded Habib Koité it was time for a change; but for whatever the reason, after more than 20 years and half a dozen albums backed by his band Bamada, only bassist Abdul Berthe remains on Soô. It’s more than a simple change of personnel, too. He’s dropped the drum kit in favour of calabash and djembé and added a banjo to the line-up – an instrument that he was introduced to by Bibb. The result is a lilting set sung in his smooth baritone voice in Malinké, Bamana and Dogon, mixing different Malian traditions and addressing many of the problems currently facing his country. The context of the gently melancholic ‘Dêmê’, with its message about living together in peace could not be clearer, given Mali’s recent history. ‘Need You’ is about forced marriage; ‘Khafole,’ despite its gorgeous lullaby-like melody, is a tragic song about a mother grieving for her dead son. The closer, ‘Diadjiry’, a song about war and its horrors made famous by Fanta Damba, is played as a sparkling solo guitar piece and reminds us that Habib is one of Africa’s most accomplished instrumentalists. The changes have done Habib no end of good.
Track to Try: ‘Dêmê’