Posts Tagged ‘the gloaming’

Songlines Music Awards 2017: The Winners

Posted on May 11th, 2017 in Recent posts by .

SMA17-Winners-blk-gldx700

Songlines Music Awards 2017 Compilation

We’re delighted to announce the winners of the ninth Songlines Music Awards which aim to put a much-deserved spotlight on some incredibly talented artists from around the world.

In addition to the Best Artist and Best Group awards – as voted by Songlines readers – we have five geographical awards based on our reviews sections, as well as the World Pioneer and Newcomer Awards chosen by our editorial team. So read on and find out who’s won this year…

You can also listen to editors Simon Broughton and Jo Frost introducing and playing music from all of this year’s winners, on the Songlines podcast, available as a free download on iTunes.

Featuring 20 tracks from the nominees in the five geographical categories, the Songlines Music Awards 2017 compilation album is now available on CD exclusively from Amazon.

Click here to buy your copy.

To find out more about the winners, pick up a copy of the June (#128) edition.


 Words by Nigel Williamson

Best Artist
Baaba Maal 
(The Traveller on Marathon Artists)

baaba_final_coveronly-dsps-packshot-1-

In the 15 years between 2001’s acoustic set Missing You (Mi Yeewnii) and 2016’s The Traveller, Maal released just one album, 2009’s bland and insubstantial Television. It seemed that his extra-curricular activities as a spokesperson for the United Nations Development Programme and a global ambassador for Oxfam, plus his involvement in campaigns for HIV/AIDS awareness, debt relief and other vital causes, had left him little time for making new music. So it was an unalloyed joy when The Traveller turned out to be a stunning comeback, a mature but exhilarating set in which his activism and his music intertwine into a single purposeful journey. He brought on board some intriguing collaborators, including Johan Hugo of The Very Best as producer, various members of Mumford & Sons and the British-Ethiopian poet Lemn Sissay. But substantial as their contributions are, the real triumph here belongs to Maal. From the irresistible dance floor Afro-pop of ‘Fulani Rock’ and the title-track to the haunting ‘Gilli Men’ and the deep, sombre blues of ‘Jam Jam’, the potency of his voice and the humanity of his vision combine in thrilling fashion to create one of the most satisfying albums of his storied career.

Best Group
Afro Celt Sound System (The Source on ECC Records)

Afro Celt Sound System - The Source Cover.jpeg

After a lengthy silence, the return of the Afro Celts seemed something of a risky proposition: would the group’s trademark global dance hybrid that sounded so cutting-edge when first unleashed in 1996 appear outdated some two decades on? Instead 2016’s The Source found the Afro Celts reinvigorated and sounding bigger, better and bolder than ever. Since the last Afro Celts’ album in 2005, a split among its founding members for a time resulted in two rival editions of the group fighting over the name. Happily that dispute has now been settled and it is the Simon Emmerson-led line-up heard on The Source that officially inherits the Afro Celts’ legacy.

With a core membership that includes long-serving kora and balafon player N’Faly Kouyaté, the thundering dhol drumming of Johnny Kalsi and the Scottish Gaelic rapper Griogair Labhruidh, there is much that is reassuringly familiar in the swirling mix of African rhythms and Irish jigs and reels. But the sound has also smartly developed, the electronica of earlier incarnations more muted and the acoustic textures more nuanced as the traditional African instruments vie with the pipes and flutes of Celtic heritage, underpinned by bhangra drums, and with vocal decoration ranging from the shamanic voice of Ríoghnach Connolly to Guinean devotional chanting. 


Newcomer
Kefaya (Radio International on Radio International Records)

Kefaya - Radio International Cover

Formed by the Italian guitarist Giuliano Modarelli and keyboard player Al MacSween, the music of the London-based collective Kefaya has been called ‘guerrilla jazz,’ ‘contemporary world-fusion’ and ‘global protest music.’ The clumsiness of the terms are in stark contrast to the fluidity of their music but is indicative of how Kefaya’s eclectic sound transcends boundaries to defy definition. Recorded during travels and collaborations across India, Palestine, Spain and Italy, the group’s debut seeks out the common ground between folk traditions from around the globe, radical politics and sound system culture, delivered with a fizzing energy and commitment rooted firmly in the 21st century.

Themes such as internationalism, freedom of movement and immigration are reinforced by the presentation of the album as a pirate radio station, tuned in to the struggle for equality and liberation and broadcasting stories of resistance and empowerment, with radio samples weaving together the musical and political intentions behind the concept. ‘We are all immigrants,’ the band state. ‘The chains of nationalism seek to restrain us within borders and boundaries, within checkpoints and separation walls. But to embrace our fellow traveller in the spirit of internationalism is to embrace the journey of human experience.’


Africa & Middle East
Derek Gripper (Libraries on Fire on Derek Gripper)

Derek Gripper - Libraries on Fire Cover.jpeg

“Absolutely amazing,” was Toumani Diabaté’s reaction when he first heard Derek Gripper’s transposition of music composed for the 21-string kora to the six-string guitar. When Gripper finally met Toumani in Bamako in 2016 (see #117), the world’s greatest kora player dubbed him “my white twin,” which was about as high a commendation as you could get. The classical guitar maestro John Williams was another who could not believe that it was possible to replicate the sound of the kora’s multiple strings on a simple six-string guitar and assumed that it must have had been achieved by studio trickery and multiple over-dubs. When he learned that Gripper performed the music live and solo, Williams invited him to play at a series of guitar concerts he was curating at the Sam Wanamaker Playhouse at London’s Globe Theatre.

Libraries on Fire, Gripper’s latest solo album, features breathtaking arrangements of kora pieces mostly associated with Toumani Diabaté, and is a richly deserving award winner. Gripper has since followed it with the equally fine Mali in Oak (a Top of the World review in #127), based on a collaboration at the Globe with the British kora and cello player Tunde Jegede. “The beauty of this music is its simplicity and its complexity, all coming from one instrument,” Gripper says.


Americas
Calypso Rose (Far From Home on Because Music)

Calypso Rose Songlines Music Awards 2017 Winner

‘No man alive or dead could take the crown off mi head,’ sings Calypso Rose in typically sassy style on Far From Home. Feisty singer, storyteller, feminist pioneer and Caribbean cultural icon, it’s more than 40 years since Rose was first crowned calypso queen in Trinidad and at 77 she continues to reign supreme. Co-produced by Stonetree Music’s Ivan Durán and Drew Gonsalves from Kobo Town, with Manu Chao sprinkling his magic on several tracks, Far From Home is a joyous, turbo-charged update on calypso tradition for a 21st-century global audience, Rose garnishing her sweet-and-spicy calypso/soca sound with rhythms and melodies from Africa, Central America and across the Caribbean.

The upbeat dance tunes and carnival anthems also pack a powerful message with lyrics about subjects such as domestic violence and women’s rights. “Calypso is for partying but it’s also for storytelling, like being a reporter,” she says. “You can dance but you must also listen to the words.” Other songs are peppered with pugnacious personal observations about her long career. ‘They say I reign too long, forgetting my constitution is strong,’ she sings, making it clear that she has no intention of giving up her crown. This was evident at the Victoires de la Musique ceremony in Paris in February where she received the Best World Music Album award and declared “I am the Queen of France right now!”

Asia & South Pacific
Anda Union (Homeland on Hohhot Records)

Anda Union Songlines Music Awards 2017

This nine-strong ensemble from Inner Mongolia are on a mission to preserve and popularise the culture of the vast empty spaces of their native steppes in a melodic and accessible style that has universal appeal. Playing traditional horsehead fiddles, lutes and flutes and drawing on a repertoire of ancient music that was in danger of extinction, they first came to international attention with the album The Wind Horse and a memorable WOMAD appearance in 2011. Their second album is even more impressive, mixing atmospheric instrumentals and solo and harmony vocals with bursts of growling, eerie-sounding throat singing.

Their subject matter takes in nature, mythology and history, tempered with laments for those in exile from their homeland and the fight for the survival of an endangered way of life. ‘Our music draws from all the Mongol tribes that Genghis Khan unified. We all have different ethnic backgrounds and we bring these influences into our music,’ they explain. The engaging simplicity of their folk traditions is smartly enhanced by the sophisticated co-production of multiple Grammy award-winner Richard King. The band members have recently completed a two-month-long US tour and have returned to Hohhot as lecturers at the Inner Mongolia Arts University.


Europe
Fanfare Ciocărlia  (Onwards to Mars! on Asphalt Tango)

Fanfare Ciocarlia - Onwards to Mars! Songlines Music Awards 2017

One of the world’s most exhilaratingly raucous brass bands, Fanfare Ciocărlia celebrated their 20th anniversary in 2016 and marked the occasion with a groundbreaking album of energy and ingenuity that dug deep into their rural Balkan Gypsy heritage while reflecting a range of other genres and styles that they have absorbed on their nomadic travels around the globe. Hailing from the remote village of Zece Prăjini in north-east Romania, the 12-piece band learned their craft at the feet of their fathers and grandfathers, but their music remained a well-kept secret until Henry Ernst, a young German music fan, wandered into the village in 1996 and discovered a living tradition rooted in the ancient Ottoman tradition of brass bands, which had long died out in much of the rest of Romania. By the following year, Fanfare Ciocărlia were touring Europe and thrilling audiences with their earthy brass grooves played at breakneck speed. On Onwards to Mars! they mix riotous new versions of Balkan standards with a cover of ‘I Put a Spell on You’ sung by Gypsy blues singer Iulian Canaf, seven tunes written by Koby Israelite and even a spicy flavouring of cumbia


Fusion
The Gloaming (on Real World)

The Gloaming Songlines Music Awards 2017 Winner

The term ‘supergroup’ is over-used, but it’s hard to think of any other word to describe the felicitous teaming of Irish trad fiddler extraordinaire Martin Hayes, American guitarist Dennis Cahill, sean nós singer Iarla Ó Lionáird, Caoimhin Ó Raghallaigh, who plays the droning ten-string Hardanger d’amore fiddle, and the adventurous New York pianist Thomas Bartlett (known as Doveman in his indie-rock incarnation). These five master musicians, each with highly successful individual careers, first came together in 2011 for a sold-out show at the National Concert Hall in Dublin, attended by Ireland’s Prime Minister, Enda Kenny. International touring followed and their self-titled debut was voted album of the year in 2014 beating off competition from Hozier, Aphex Twin, Sinead O’Connor, U2 and Damien Rice to win the RTÉ Choice Music Prize (the Irish equivalent of the Mercury).

Their second album is an expansive set rooted in the rich traditions of Irish folk music but delivered with a contemporaneous, experimental and highly personal sensibility. Haunting and emotionally charged, the intuitive ensemble playing is topped by Ó Lionáird’s ethereal vocals, recently featured in the movie Brooklyn and first heard more than 20 years ago with the Afro Celt Sound System. 


World Pioneer Award
Francis Falceto

Francis Falceto Songlines Music Awards 2017

When Francis Falceto curated the first volume in the Éthiopiques series on the Buda Musique label in 1997, most of us knew very little about Ethiopian music. In the two decades that have followed, Falceto has single-handedly been responsible for putting Ethiopia on the world music map as our appreciation of artists such as Mahmoud Ahmed, Mulatu Astatke and Tilahun Gessesse has grown along with the series of releases. Falceto released the 30th volume – by Girma Bèyènè & Akalé Wubé – this year (reviewed in #127) and the impact of Éthiopiques has extended far beyond the core world music audience – Jim Jarmusch used a track for the title music of his movie Broken Flowers and the likes of Jamie Cullum, Robert Plant, Brian Eno, Simon Reeve and David Harrington all selected music from the series for their Songlines playlists. For Falceto, it has been a lifetime’s passion since he first heard a Mahmoud Ahmed recording in 1984 while working as a concert promoter in Poitiers. He was soon making regular trips to Addis Ababa, tracking down master tapes from the most important labels and producers of the music’s ‘Golden Age’ in the 60s and 70s. From the programming and remastering to Buda Musique’s packaging, presentation and attention to detail, new standards have been set and made Éthiopiques the ultimate brand in crate-digging excellence. 

Tags: , , , , , , , , , , , .

The Gloaming – 2 | Album Review | Top of the World

Posted on March 16th, 2016 in Recent posts, Reviews by .

The Gloaming-©Rich Gilligan-Free

Words by Tim Cumming

The Gloaming - 2 Cover

They’ve gone once more a-roaming
★★★★★

When they recorded their first album, the American-Irish supergroup had no idea it would be so successful. Their five-night string of concerts at Dublin’s National Concert Hall for the launch of their second album quickly sold out; the plaudits have come thick and fast; and there was a high sense of anticipation. It delivers in full. What fiddler Martin Hayes, viola player Caoimhín Ó Raghallaigh, sean nós singer Iarla Ó Lionáird, pianist Thomas Bartlett and guitarist Dennis Cahill have done with their repertoire is remove the clichés, clear away the clutter, distil the essence, and layer and weave the folk sources with contemporary classical and experimental art music. They make sounds to sit down to, not to clap and shout along with.

The developments are subtle but important. There are fewer of the dissonances and undertones of Ó Raghallaigh’s Hardanger-viola d’amore hybrid instrument; he works more closely in tandem with Hayes. And Bartlett’s minimal piano and Cahill’s punctuating guitar come more to the fore in terms of shaping and guiding the songs. Hayes’ playing is superb and, crucially, closely bound to the work of the ensemble, which has at its command entire musical landscapes. You sense these are great musicians but also great listeners in the moment of that music’s making. Every track absorbs the attention of each repeated listen, giving more back each time. The group knew they had a mark to step up to and they’ve surpassed themselves.

logo-Amazon-uk  logo-iTunes-Download

Tags: , .

Top of the World April 2016: The best new releases

Posted on March 4th, 2016 in Recent posts, Reviews by .

Our selection of the top ten new releases reviewed in the April (#116) issue.

Joan Soriano - Me decidí Cover

Joan Soriano
Me Decidí (iASO Records)
After a five-year wait since his previous solo release, Dominican singer and guitarist Joan Soriano is back with a new offering of joyous material. A fine return from the bachata maestro.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

 

 

Divanhana - Zukva Cover

Divanhana
Zukva (ARC Music)
The young Sarajevan band display an air of firm confidence, playing sevdah music with a flexible and dynamic approach on their first UK release.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

 

 

 

 

MazO'Connor-TheLongingKindCD

Maz O’Connor

The Longing Kind (Restless Head)
Maz O’Connor steps away from the folk songs that featured in her previous work, taking inspiration from life experiences, literature and art to create an intelligent and emotional album.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

 

 

Sahra Halgan Trio - Faransiskiyo Somaliland Cover

Sahra Halgan Trio
Faransiskiyo Somaliland (Buda Musique)
Somaliland’s Sahra Halgan is accompanied by a band of musical virtuosos on her new album, her first since returning to her homeland after a 23-year exile in France.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

 

 

 

 

4 panel Eco Wallet with no thumb (SLV 2.1.A) FINAL

Lotus Wight

Lotus Wight’s Ode to the Banjo (Lotus Wight)
Through musical interpretations of traditional Americana, Canadian artist Lotus Wight’s new album explores the history of the banjo via 13 tracks that make for a riveting listen.

logo-Amazon-uk  logo-iTunes-Download

 

 

Aziza Brahim - Abbar el Hamada Cover

Aziza Brahim
Abbar el Hamada (Glitterbeat)
An important voice for the people of the Western Sahara, Aziza Brahim returns with a relaxed effort that continues to spur her message of political injustice and resistance.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

 

 

 

 

The Gloaming - 2 Cover

The Gloaming
2 (Real World Records)
With their critically acclaimed and commercially successful debut behind them, The Gloaming return with their second album – one that shows no signs of a sophomore slump.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

 

 

 

 

Varttina - Viena Cover

Värttinä
Viena (Westpark Music)
Finnish group Värttinä exceed expectations on their new album, executing strong vocal performances with relentless energy and stellar musicianship that results in an exciting release.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

Sainkho Namtchylak - Like a Bird or Spirit, Not a Face Cover

Sainkho Namtchylak
Like a Bird or Spirit, Not a Face (Ponderosa Music & Art)
Renowned throat singer Sainkho Namtchylak exhibits her versatile vocal ability alongside the rhythm section of Tinariwen in this cross-cultural hybrid of Touaregs and Tuvans.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

 

 

 

Anchorsong - Ceremonial Cover

Anchorsong
Ceremonial (Tru Thoughts)
Inspired by African pop music of the 1970s, Tokyo-born electronic musician Anchorsong utilises polyrhythms and expansive textures to create a sonically cohesive second album.

logo-Amazon-uk  logo-iTunes-Download

 

 

 

 

Tags: , , , , , , , , , .

Now listen to this… Shanren, The Gloaming and Sidestepper

Posted on January 29th, 2016 in Features, Recent posts by .

Songlines Playlist

Here at Songlines Towers we’re always on the lookout for the most exciting music from around the world. Check out our playlist of the latest tracks that we’ve been listening to.

Shanren – ‘Drinking Song’
Tying in with Carrie Gracie’s playlist in the new issue (March 2016, #115) is ‘Drinking Song’ by Chinese folk band Shanren. Minority drinking songs seem to be a bit of a theme this issue. The over-lit live performance is interlaced with fun animations.


The Gloaming – ‘Fáinleog (Wanderer)’

The second album by The Gloaming, 2, is out on February 26. Coinciding with the album’s release, the band will be performing at London’s Union Chapel.


Anchorsong – ‘Oriental Suite’

The Tokyo-born London-based producer merges his newfound appreciation for vintage West African music with his homeland for this track. Read the review of his new album Ceremonial in issue #116 (on sale March 4).


DJ Khalab & Baba Sissoko – ‘Kumu’

DJ Khalab and Malian griot Baba Sissoko took home the Track of the Year accolade at the Worldwide Awards 2016 for ‘Tata’. This song is another taken from Khalab & Baba, released on Wonderwheel Recordings.


Sidestepper – ‘Supernatural Love’

Colombian cumbia group Sidestepper perform the title-track from their forthcoming album Supernatural Love in their home of Bogotá. Read more in the new issue (March 2016, #115).

 

Tags: , , , , , , .

« Older Entries