Posts Tagged ‘News’

Angélique on, well, everything….

Posted on April 24th, 2012 in Recent Posts by .

Photo by Jed Root

It’s not often that you get the chance to come into contact with one of your own idols, yet alone have an extended discussion with them about everything from the current state of African politics to feminism; human rights and own personal heroes.

 In preparation for the Globe Rocker feature in issue #84, I had a chat with Angélique Kidjo while she was in New York on her way to Australia for a gig. As ever, it was nigh impossible to cram everything that she had to say into a one-page piece, especially with someone as wonderfully verbose as Angélique, so I have decided to share with you some bits and pieces that didn’t make the final cut…

 On Amy Winehouse and Adele:

 “One of my greatest musical loves was Amy Winehouse. She was a great talent and I was so sad when she passed away. I had the chance to meet and hear her sing in the early 2000s and she was just so young and talented. But at the same time you could feel this fragility in her. I don’t know if anyone could have helped her or saved her, but for me, every time, with a talent like that, it’s just a tragedy when we lose them.

 “And Adele [showing that no one is immune…] she’s another British talent who is just amazing. She sings wonderfully, she’s so young and yet already she sings right on the note. She’s so in tune, it’s freaking scary and moving.”

 On the term ‘world music’:

 “I never liked it. It’s always the rich countries that give us different names, so Africa is not a country, it’s the third world. Who decides what is what?

“Africa is the cradle of humanity, therefore if you call it third world, you’re denying where you come from. And it’s the same thing with music.

 “In every media we’re talking about Africa and saying Africa is poor. Yet you have so many companies in Africa, they make billions of dollars every year, and yet none of them will stand up and say Africa is not poor. We are raping Africa out of its resources.

 “We’re taking anything we can from the Africans, and we are stopping them from being self-sufficient and to stand on both of their feet, and the same thing goes with music. Africa has given so much to the world in music, I mean, blues would not exist… and rock and roll without blues doesn’t exist. But people go on denying to every single citizen of Africa, the right to be and to do whatever they want to do. So my question always is, is colonisation over, or is it still going on?

 “Who has the right to dictate our lives? Who has the right to dictate that my music is world music? Who has this right to say I cannot be played on prime time? Who has got the right to decide that? The public is stupid enough not to listen to that, and we have feed the public with crappy music, because that’s the way it goes.”

 On feminism:

 “I’ve been raised by strong women. My grandmother, my mother, my aunties, taught me being a woman is a great blessing, and you shouldn’t let anyone take that away from you. It doesn’t matter what somebody says, without us there’s no humanity. It doesn’t matter how much a man tries to make you believe that you are under his watch, or under his thumb, he is much more under your thumb than you are, because he can’t live without you. What threat do we pose to men that they have to decide our fate? And they have to decide what we have to do, how we have to dress, how we have to talk? Who gives them that right, it’s not written anywhere that men have to dictate to women; what is it that they are afraid of?

 “Denying that right to women is denying the right to yourself, because if you don’t like women, how can you love your children? It doesn’t make sense, the women are the mothers of your children, so if you don’t respect them, you don’t respect yourself, and it’s such a very weird dynamic, and I don’t understand how men can be so disrespectful towards women, and yet call them the mother of their children.”

 On human rights:

 “The law is weakened by human beings. Laws don’t serve justice, because if you have money, you get away free, even if it’s a sentence, then it is always different from the one that is poor, so this justice system, does it work for everybody or for just some people that play around with it?

 “The same thing goes with human rights; does human rights apply to everybody, if yes, how can the rich countries justify what they do in Africa, knowing that what they are doing will jeopardise of the most vulnerable people, the women and the children?”

 For the full feature, see our next issue (June 2012 #84) on sale April 27.

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Songlines Music Awards on the Propermusic Podcast

Posted on April 17th, 2012 in Recent Posts by .

On this week’s Propermusic Podcast, Songlines editor Jo Frost, news editor Nathaniel Handy and contributor Tim Cumming talk to Trevor Dann about the Songlines Music Awards 2012.

You can listen to the podcast here and hear excerpts from the Songlines Music Awards 2012 compilation CD, which features all 16 nominated artists. 


Propermusic.com Podcast Episode 31

You can listen to excerpts from all 16 nominees on our Songlines Music Awards 2012 app, available on iTunes.

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La Linea – London’s Latin Music Festival

Posted on April 11th, 2012 in Recent Posts by .

La Linea 2012 (April 16-27), whose contemporary Latin music line-up is as impressive as it is eclectic, kicks off next week across a host of venues in central London, including the Barbican, KOKO, Rich Mix, and the HMV Forum to name just a few.

 

The festival, which takes place every April, begins with Portugal’s Madredeus at the Barbican on April 16, who will be celebrating their 25th anniversary after a six year sabbatical. 

On April 19, London’s KOKO will be home to a Brazilian triple bill, starting with Curumin’s samba soul and Lucas Santtana’s grooves who will open for singer-songwriter Céu and her São Paulo sounds. 

  

The festival also features performances by Roberto Pla’s Latin Ensemble, The London Lucumi Choir, Juan de Marcos’ Afro Cuban All Stars, and Amaral among others. 

La Linea will also be taking to the road and touring around the UK, with performances by Céu and Curumin in Bristol, Manchester, Coventry, Gateshead and Brighton beginning next Wednesday. 

 

Don’t forget that when purchasing your La Linea tickets via Ticketmaster, SEE Tickets or Ticketweb you can also buy the Latin issue of Songlines magazine (#81) for only £1 (usual magazine price £4.95). The magazine comes with 2 CDs including music from Gilles Peterson’s Havana Cultura album: The Search Continues and you simply collect the magazine from the venue on the night of the show. Follow the links from any La Linea show to purchase. 

The new issue of Songlines (#83) is out now featuring double-page spreads on La Linea 12 headliners Madredeus and Juan de Marcos Afro Cuban All Stars.

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Interview with Basia of Chłopcy kontra Basia

Posted on March 30th, 2012 in Recent Posts by .

Tomasz Waldowski

This month the Polish trio Chłopcy kontra Basia was named the winner of the World Music Network Battle of the Bands
 
The trio is made up of singer and clarinettist Basia, double bassist Marcin Nenko and drummer Tomasz Waldowski. Basia talks about the announcement. 
 
How did it all start? Did you always expect to be a singer and musician?
Thanks to my mum and dad it all started very long ago – as a child I used to listen to fantastic gramophone records, from traditional jazz to progressive rock and I believe these first years of a ‘passive’ musical education were incredibly vital for my further development. But I wonder if I ever seriously wanted to be a musician or singer… I was spending hours on practising passages on piano at musical school, but on the other hand I can’t remember if I ever had an idea how I can use these abilities for expressing myself. For a long time I felt like someone who can play, yet doesn’t have anything to say in a musical way. That is why I started to explore absolutely new things like theatre, dance, poetry, folklore – traditional music and traditional way of singing – and after four years of that research, I woke up and realised that I am finally ready to make my own project where I can combine all what I experienced. Then I decided to create “Chłopcy kontra Basia”.
 
How did you meet the other members, Marcin Nenko and Tomasz Waldowski?
In November 2009, when the idea of creating a band came to my mind, I was absolutely convinced that I had to find a double bassist. I always adored instruments with a low, dark sound. As I had just moved to Krakow, where I knew nobody, I decided to look for a musician on the internet. I met with a bassist and after playing a few notes and quickly realised we are destined to make music together. That was Marcin. At the beginning we were so devoted to composing that we didn’t think much about looking for anybody else. And then my boyfriend Tomasz, who is a drummer, visited me in Krakow and I wanted to see what drums would sound like in the mix.  So we played and what I heard was so complete that Chłopcy kontra Basia was born at that very moment.
 
What does Chłopcy kontra Basia mean?
I have never supposed that our name would appear in the Songlines Blog, cause if I have, I wouldn’t have agreed on such a Polish name. Literally, Chłopcy kontra Basia means ‘Boys versus Basia.’  There is me, bringing ethnic influences, and the boys with a jazzy background. And there is a play on words – if you put together ‘kontra’ and ‘Basia’ you get ‘double bass’ (kontrabas).
 
You take most of your inspiration from traditional Polish musics. Do you consider yourself a ‘traditional’ Polish band or do you add other influences into the mix?
All songs we perform are written and composed by ourselves, but in a traditional style. When writing lyrics – I use old language and motives which appear in old traditional Polish songs. Although our arrangements are rather modern – we combine jazz, drum’n'bass, trip-hop, etc – we use some melodies or rhythms reminiscent of Polish traditional forms like oberek or kujawiak. All in all we are not ‘traditional’ Polish band, but we are highly influenced by Polish traditions.
 
What was the first album you owned?
It was  Emergency on Planet Earth by Jamiroquai. Although there was a collection of CDs in our living room I remember that it was the first CD which I had on my private shelf. I’m glad it was Jamiroquai who was my hero. 
 
What is your all-time favourite album?
There are many jazz and rock records which I’m devoted to like Kind of Blue by Miles Davis or Nursery Crime by Genesis. There were months when I was completely fascinated by Have One on Me by Joanna Newsom and recently released Weightless by the Becca Stevens Band. I appreciate these two ladies for their original compositions, subtle voices, charm and this ‘something’ that they have. And, of course, I spend hours on listening to old records of traditional tunes collected from various regions of Poland. 
 
What are you listening to at the moment?
I’m listening to Portrait of a Singer by Stanisław Fijałkowski – a great singer from Chrzanów who unfortunately passed away a couple days ago at the age of 84. It’s a big sorrow he left us.
 
So now that you’ve won the World Music Network Battle of the Bands, what’s next for the band?
Winning the World Music Network Battle of the Bands was a surprise for us and we hardly believe it really happened. We realised that our music stands a chance to appear somewhere else and to be appreciated by listeners from abroad. I am glad that it mobilised us to work instead of spoiling us. We are working on our songs, writing new lyrics, melodies and dreaming about recording an LP. 
 
 
For more details about the World Music Network Battle of the Bands and a list of previous winners: www.worldmusic.net/battle
 
 
 
You can read a review of their recent Krakow gig in our You Should Have Been There section of our next issue (June 2012 #84), on sale April 27. 

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