The album cover has Jez tilting his boater and grinning into a camera like an old-fashioned MC, as if beckoning...
Reviewed by Tim Cumming in issue: Jan/Feb/2011
Moreno & L’Orchestra First Moja-One
While visiting my brother in Nairobi in 1983, we went to a nightclub and heard Batamba Wenda Morris (aka Moreno)....
Reviewed by Alastair Johnston in issue: Nov/Dec/2012
A very welcome reissue of an oddity from the Ivory Coast that was a huge regional hit when issued in...
Reviewed by Martin Sinnock in issue: October/2018
Catriona McKay & Olov Johansson
The Swedish nyckelharpa (key harp) is an extraordinary instrument. Played with a bow to produce a sound with many of...
Reviewed by Tim Woodall in issue: Jan/Feb/2014
Before rock'n'roll there was swing – with big bands fronted by musicians like Benny Goodman introducing African-American syncopation and jazz...
Reviewed by Alex Robinson in issue: Apr/May/2014
A founding member of Irish experimental folk outfit Lankum, as well as lecturer and researcher on the history of Irish...
Reviewed by Olivia Cheves in issue: January/February/2023
This is quite an extraordinary project for fans of the Turkish ney – the reed flute that is at the...
Reviewed by Simon Broughton in issue: July/2012
While it is frequently powerful, contemporary Australian Aboriginal music is usually non-confrontational – a traditional-meets-modern combination full of heartfelt lyrics...
Reviewed by Seth Jordan in issue: October/2017
Stanley Brinks & the Old-Time Kaniks
Indie-folk is often terrible: a ham-fisted, middle-of-the-road mush of xylophones and ukuleles that is unashamedly twee and contrivedly cute. Thankfully,...
Reviewed by Matt Milton in issue: March/2017
When this reviewer interviewed Allen for Songlines in 2020 just before lockdown, we talked mostly about Rejoice, his collaborative album...
Reviewed by Nigel Williamson in issue: July/2021
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