Posts Tagged ‘Aziza Brahim’

Royal Albert Hall and Songlines present Aziza Brahim

Posted on February 12th, 2016 in News, Recent posts by .

Aziz-Brahim-©Guillem-Moreno-Free

Photo by Guillem Moreno

Aziza Brahim to perform at the Royal Albert Hall’s Elgar Room on April 26

Born in the refugee camps of Algeria as a result of the Moroccan invasion of her family’s Western Saharan home, Aziza Brahim discovered music at an early age as a natural way of communicating her thoughts about Saharawi political defiance and life in exile.

Soutak, her first album on Glitterbeat Records, explored these themes with astounding effect and was selected as one of SonglinesBest Albums of 2014. Her forthcoming album Abbar el Hamada, released on March 4 and reviewed in the next issue, continues to spur this message. Check out the cover feature on Aziza in our next issue (out March 4).

On April 26, the Royal Albert Hall’s intimate Elgar Room will stage a very special performance from Brahim, presented in association with Songlines.

Click here to book your tickets.

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Aziza Brahim to release new album in March

Posted on December 9th, 2015 in News, Recent posts by .

aziza-brahim

Photo by Dave Stelfox

Aziza Brahim will release a new album on Glitterbeat Records on March 4

The Saharawi singer Aziza Brahim announced that she will be releasing her third album, Abbar el Hamada, this March. The album will arrive two years after her last offering Soutak, which was selected as one of Songlines’ Best Albums of 2014. Recorded in Barcelona over the summer, Abbar el Hamada sees the return of Chris Eckman as producer after his work on her last album, and will continue to spur Brahim’s message of freedom and political defiance.

To mark the announcement, a new song – ‘Calles de Dajla’ – was published on Glitterbeat Records’ SoundCloud; it is available to listen to below.

More information can be found on Brahim’s official website and Glitterbeat Records. And look out for a feature on Aziza Brahim in Songlines in the new year.

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The 50 Greatest World Music Albums of the Last Five Years

Posted on August 23rd, 2015 in Features, Recent posts by .

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Every year, editor Jo Frost and editor-in-chief Simon Broughton choose their favourite albums from the previous 12 months. This list of 50 recordings represent their selections from the last five years, beginning with 2014…

landini-aurelio

Aurelio

Lándini

(Real World)

There’s something highly addictive about the rhythmic Garifuna sound. I’ve been a fan of this distinctive Central American music since first hearing the Belizean artist Andy Palacio. Aurelio has, since Palacio’s death, firmly established himself as an ambassador for Garifuna culture. His latest album is rooted in the paranda and punta musical traditions, and its title – meaning ‘Landing’ – refers to when the British forced the Garifuna people into exile in the 18th century. Many of the songs are instilled with a sense of melancholy, yet ultimately Lándini is a celebration and homage to the richness of Garifuna culture. JF

 

aziza-brahim-soutakAziza Brahim

Soutak

(Glitterbeat)

Born and raised in an Algerian refugee camp, the young Saharawi singer has become a champion for her people from the occupied state of Western Sahara. There’s a simplicity in the acoustic musical arrangements, combined with the poignancy of Brahim’s soulful singing that lend a grace and dignity to these songs about resistance, freedom, longing and homeland. They have a political resonance too, especially the song ‘Gdeim Izik’ about the protest camp taken down by the Moroccans. It’s a spare and powerful tribute to a land and sorrowful plight of its people, sadly overlooked by the outside world. JF

 

 

Kasse-Mady-Diabate-Kirike

Kassé Mady Diabaté

Kiriké

(No Format!)

Kassé Mady Diabaté is one of the great vocalists of Mali, accompanied here by a top group of instrumentalists. There’s Makan ‘Badjé’ Tounkara on ngoni, Lansiné Kouyaté on balafon and Ballaké Sissoko on kora, plus Vincent Segal on cello, who is also responsible for the exquisite production. There are just eight tracks – many of them connected to hunting – and it really feels like you’re sitting right there among the musicians. All the instruments are heard on just one track, ‘Sori’, but the whole album is intimate, powerful and gorgeously recorded. SB See also: Top 25 Mali Albums

 

Toumani-and-Sidiki

Toumani & Sidiki Diabaté

Toumani & Sidiki

(WorldCircuit)

Expectations were high for this record, but it delivers. According to Toumani, the family have been making music in West Africa for 700 years and what we have here is the transmission of that tradition in action. Toumani plays kora duets with his 23-year-old son Sidiki, named afer his grandfather who established the kora as a solo instrument. It’s an elaborate concoction of gourd, cow skin, sticks and 21 strings that represents Malian music at its most sophisticated. The filigree music is sublime and Lucy Durán’s notes are enlightening. SB See also: Top 25 Mali Albums

 

Piers-Faccini-and-Vincent-Segal-Songs-of-Time-Lost

Piers Faccini & Vincent Segal

Songs of Time Lost

(No Format!)

Like many of the label’s releases, this is a beautifully crafted album of song, guitar and cello. Faccini is an English singer-songwriter with a gorgeously languid singing style. He sounds at times like Nick Drake, but he also sings in Italian on a couple of traditional Neopolitan songs and in Creole on a maloya-inspired track from La Réunion. The two have been good friends since the 80s, which possibly explains the ease and naturalness of their partnership. Faccini’s voice floats dreamily above the deep resonance of Segal’s cello that acts as the bedrock to the whole sound. JF

 

The-Gloaming

The Gloaming

The Gloaming

(Real World)

This new collective evocatively known as The Gloaming revisit traditional Irish music but with a fearless sense of experimentation. The haunting vocals of Iarla Ó Lionáird combine with the effortless fiddle of Martin Hayes, eerie Hardanger fiddle of Caoimhín Ó Raghallaigh, and solid guitar of Dennis Cahill. Then there’s the piano playing of Thomas Bartlett that takes the sound onto a whole other level, out of the trad box and placing it firmly into a new, exciting realm. The ‘Opening Set’ is a wondrous 16-minute-plus tune that slowly builds in intensity – it goes down a storm at their fantastic live shows. JF

 

 

kronos-quartet-a-thousand-thoughts

Kronos Quartet

A Thousand Thoughts

(Nonesuch)

Celebrating their 40th anniversary, Kronos Quartet have released an album that clearly demonstrates how widely they’ve ranged in their inspiration. There are a few tracks (with Astor Piazzolla and Asha Bhosle) that have been previously released, but most of the material is new. Alongside music from Vietnam, Afghanistan, Turkey, Ethiopia and the American South, it includes an eerie version of the rebetika track ‘Smyrneiko Minore’ by Greek singer Marika Papagika, which Harrington describes as containing his “favourite note of all time.” SB

 

Driss-El-Maloumi-Makan

Driss El Maloumi

Makan

(Contre Jour)

Moroccan oud player Driss El Maloumi stands out both for his instrumental mastery (he’s director of the conservatoire in Agadir) and for his innovative approach – for instance the 3MA project with kora player Ballaké Sissoko and valiha player Rajery in 2008. This trio album with two percussionists – his brother Said El Maloumi (on frame drum and Iranian tombak) and Lahoucine Baquir (on frame drum and darbouka) ranges from the bluesy ‘Imtidad’ and the filigree ‘Tawazoun’ to the playful ‘Intidar’. There’s lyricism, virtuosity and imagination – plus a couple of songs too. SB

 

Robert-Plant-Lullaby-The-Ceaseless-Roar

Robert Plant

Lullaby and… The Ceaseless Roar

(Nonesuch)

The ex-Led Zep frontman is no stranger to dabbling in African sounds. What makes this album so refreshing is that there is nothing tokenistic about the contributions from his band members. Intrinsic to the album is the rasping, raw sound of the ritti (one-stringed violin) and kologo (lute) from Gambia’s Juldeh Camara together with Justin Adams, who plays guitar, ngoni and basically anything else he can lay his hands on. Add drummer Dave Smith, bassist Billy Fuller, guitarist Liam Tyson and keyboardist John Baggott and the end product is a powerful collaborative effort. JF

 

 

Tamburocket-Hungarian-Fireworks

Söndörgő

Tamburocket Hungarian Fireworks

(Riverboat Records)

We’ve been champions of this Hungarian group since their brilliant collaboration with Gypsy sax player Ferus Mustafov in 2008. Söndörgő’s sound is light, springy and delicately plucked. They play the virtuoso tambura music of Hungary’s Serbian and Croatian communities and, as they’ve proved in recent concerts at WOMEX and in London, they do it with style. This album includes vibrant examples of their core repertoire, plus interesting takes on Macedonian music. The band are three brothers and a cousin, plus Attila Buzás on bass tambura. SB

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Songlines’ Best Albums of 2014 Announced

Posted on October 31st, 2014 in News, Recent posts by .

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Here are the ten albums that Songlines editors Jo Frost and Simon Broughton have selected as the best from 2014

With five picks each, Jo Frost and Simon Broughton have chosen their favourite albums that have been reviewed within Songlines magazine in the last 12 months. You can read more about these ten albums in the next issue (Jan/Feb 2015, #105), out on December 5.

Here are this year’s selections (in no particular order):

Toumani & Sidiki Diabaté – Toumani & Sidiki (on World Circuit, reviewed in #100)

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Aziza Brahim – Soutak (on Glitterbeat, reviewed in #98)

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Kassé Mady Diabaté – Kiriké (on No Format, reviewed in #104)

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The Gloaming – The Gloaming (on Real World, reviewed in #98)

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Robert Plant – Lullaby and… The Ceaseless Roar (on Nonesuch, to be reviewed in #105)

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Driss El Maloumi  – Makan (on Contre Jour, reviewed in #98)

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Aurelio – Lándini (on Real World, reviewed in #104)

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Söndörgő – Tamburocket: Hungarian Fireworks (on Riverboat Records, reviewed in #102)

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Kronos Quartet – A Thousand Thoughts (on Nonesuch, reviewed in #100)

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Piers Faccini & Vincent Segal – Songs of Time Lost (on No Format, to be reviewed in #105)

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