The Living World's Demands

As a first-generation Punjabi-American from Baltimore, Ami Dang uses sitar, voice and electronics to carve a complex identity. She deals with weighty topics through her music and lyrics; on her third album these include abuse, trauma, abortion rights, suicidal ideation, the pandemic, religion and capitalism, as well as brighter ideas of meditation, joy and peace.

The music itself is made of light dance pop and deeper ambient electronica, with inflections of Hindustani classical in the shape of sitar cascades and English and Punjabi-language singing enlightened with ornamental gamakas. While Dang's lyrics deal with the pertinent themes of today, her music often harks to the past, whether it's to 70s psychedelic rock or 2000s Indian-flavour teen pop: sometimes it comes across as classy and retro, sometimes as cheesy and dated. The album's most interesting and intriguing moments come when the ambient side is allowed to flow most freely, such as in the tracks ‘Bālnā’, ‘Circuit’ and ‘Become’. It feels as if Dang's aim with this album is to be at once poppy, experimental and personally political – it's a tricky balance to strike and some of those intersections here end up being a little jarring, with the generally light tone belying its important messages.