The Chieftains featuring Ry Cooder
Paddy Moloney has long held to the patriotic notion that the roots of just about all the world’s music can...
Reviewed by Nigel Williamson in issue: Apr/May/2010
This is a Western¬er’s image of Cairo and its mythical fleshpots: snake-charmer music for young Euro-clubbers en route to the...
Reviewed by Alastair Johnston in issue: July/2010
Hearts & Minds begins with a riff reminiscent of Black Sabbath’s ‘Paranoid’. Which is somewhat surprising, given that Lakeman described...
Reviewed by Julian May in issue: July/2010
A beefy baritone sax hails the return of the little big band from Ottowa. Whatever they've done to that 8-track...
Reviewed by Mark Sampson in issue: Apr/May/2014
After a brief opener in which the Paulistano musician intones the album's title four times to the sole accompaniment of...
Reviewed by Mark Sampson in issue: March/2023
This album devised by French avant-garde composer and multi-disciplinary artist Pierre Redon, explores connections between sound and healing. Several designated...
Reviewed by Merlyn Driver in issue: April/2021
For a lot of Touareg desert blues, the drums are the well of rhythm in the undergrowth of the music,...
Reviewed by Asher Breuer-Weil in issue: April/2019
These two sets of field recordings – from the pubs, clubs, ballrooms, bars, private rooms, Irish centres and occasional radio...
Reviewed by Tim Cumming in issue: June/2016
Recorded and released in 1960, Harlem Street Singer is regarded as singer/guitarist Reverend ‘Blind’ Gary Davis’ masterpiece. It’s also a...
Reviewed by Daniel Spicer in issue: February/March/2025
Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith
Dealing with dying is a major aspect of both the sacred and secular. Songs from the Bardo is a small...
Reviewed by Michael Ormiston in issue: December/2019
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