A veteran of Mali’s oldest dance orchestra Super Biton de Ségou, Mama Sissoko became the band’s guitarist in 1972. When...
Reviewed by Nigel Williamson in issue: April/2024
It’s never been easy to make a sensible suggestion when asked to nominate the best starting point to the music...
Reviewed by Nigel Williamson in issue: March/2011
George Xylouris and Jim White are a mesmerising double act, what with the Cretan laouto player and singer's nimble string...
Reviewed by Jane Cornwell in issue: March/2018
Hailing from Triana, Seville's one time Gypsy quartei and home of classic flamenco, Rosario Guerrero Hernández, aka ‘La Tremendita’, has...
Reviewed by Jan Fairley in issue: Apr/May/2011
Long before Ricky Martin and Daddy Yankee seduced the diaspora with their very different hybrid pop rhythms, the island of...
Reviewed by Chris Moss in issue: April/2019
Perhaps because she worked alongside the likes of Chico Buarque, Gilberto Gil and Milton Nascimento – among other Brazilian greats –...
Reviewed by Chris Moss in issue: July/2022
This is a beautifully packaged atmospheric recording, but one that may take some getting used to. The gagok repertoire, protected...
Reviewed by Keith Howard in issue: Apr/May/2012
The heavy clacking of the qaraqab (iron castanets) and the hypnotising melodies of the gimbri (three-stringed lute) make it easy...
Reviewed by Alexandra Petropoulos in issue: July/2011
‘Emergency ethnomusicology,’ as they call it, is a set of urgent interventions needing to be taken to record or preserve...
Reviewed by Kim Burton in issue: June/2017
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