A trio that existed from 1998 to 2005, New Zealand's Trinity Roots were local heroes who opened the door for...
Reviewed by Seth Jordan in issue: Aug/Sep/2011
This sounds like a half-baked student project that shouldn’t have gone beyond the confines of Zagreb University. It’s a shame,...
Reviewed by Simon Broughton in issue: Jan/Feb/2013
This is a very enjoyable yet remarkably melancholic release by a four-piece acoustic group from Rwanda. Part of the charm...
Reviewed by Martin Sinnock in issue: December/2015
Muito Kaballa is a multiinstrumentalist, working in Cologne. This debut album features a spread of drums, bass, guitars, keyboards, flute,...
Reviewed by Martin Longley in issue: October/2019
Rachael McShane & The Cartographers
‘The Molecatcher’, the first track of Rachael McShane's terrific album with her new band, The Cartographers, sets the tenor of...
Reviewed by Julian May in issue: October/2018
Music from Bolgatanga, the capital of Ghana's Sahelian north-east region, is hugely different from the more accessible highlife generally made...
Reviewed by Jon Lusk in issue: Aug/Sep/2016
Opener ‘Leyli’s Garden’, heralded by a breathy flourish on the ney, is a personal and heartfelt homage to Vahdat’s late...
Reviewed by Simon Broughton in issue: October/2022
Turkish ex-pat Necmi Calvi spent 20 years of his adult life in London; where – under the alias Oojami –...
Reviewed by Jane Cornwell in issue: Jan/Feb/2011
When you have renowned piper Iain MacDonald stating an album is ‘as good as it gets’ then you know you...
Reviewed by Billy Rough in issue: Aug/Sep/2011
This is an album of powerful instrumental jazz, based on the ancient traditional music of the Dagaare tribe and Guo...
Reviewed by Martin Sinnock in issue: November/2015
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