You might describe choro as having the sensibilities of classical music alongsidethe earthiness of street music. It grew up in...
Reviewed by Fiona Talkington in issue: Jan/Feb/2011
There’s something pleasingly old-fashioned about John Doyle’s second solo outing. Arriving six years after Wayward Son saw him step out...
Reviewed by Michael Quinn in issue: Jan/Feb/2012
When musical influences from two distinct cultural regions merge, the results are almost always fascinating, and that’s certainly the case...
Reviewed by Chris Wheatley in issue: December/2023
It starts with a furious flurry of percussion, and then in comes that voice, as commanding, passionate and distinctive as...
Reviewed by Robin Denselow in issue: May/2025
Yarima Blanco won the De la Tradición Sonera y Campesina (From the Son and Country Tradition) award at last year's...
Reviewed by Jane Cornwell in issue: April/2023
For his second full-length album, Marseille-based urban poet Ahamada Smis has pointed his musical compass towards the country of his...
Reviewed by Jim Hickson in issue: Apr/May/2014
Twenty years ago Ali Farka Touré made an album called Niafunke, named after his home town near Timbuktu on the...
Reviewed by Nigel Williamson in issue: May/2019
For quite some time now, Celso Fonseca has led a solid career as an MPB (Brazilian Popular Music) singer-songwriter. His...
Reviewed by GonÇalo Frota in issue: July/2019
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