Reviews
The Deepest Breath
2020’s Solas an Lae saw Eoghan Ó Ceannabháin striking away from his Skipper’s Alley roots in the company of Ultan...
Reviewed by Michael Quinn in issue: January/February/2023
Chromesthesia: The Colour of Sound Vol 1
Chromesthesia: The Colour of Sound Vol 1, curated by British-Egyptian historian Hannah Elsisi, is a powerful compilation showcasing Afro-descendant electronic...
Reviewed by Lucy Hallam in issue: January/2025
Living Being IV (Time Reflections)
Vincent Peirani | Vincent Peirani
It’s French accordionist Peirani whose name is on this album, however, it should be joined by another: soprano saxophonist Emile...
Reviewed by Martin Longley in issue: December/2025
Fern Girl & Ice Man
What we have here are two collections of old and familiar song forms. But they are reconstituted with observant, contemporary...
Reviewed by Doug Deloach in issue: October/2016
The King of History
Daniel Misiani came to the attention of non-Kenyans in the late 80s with two albums released in the UK that...
Reviewed by Alastair Johnston in issue: October/2010
Just Have to Grow
Co-produced by Nick ‘Midas Touch’ Page (Dub Colossus, Syriana) and recorded live in one room over two days at the...
Reviewed by Jane Cornwell in issue: July/2012
A Pilgrim's Tale
This year sees the 400th anniversary of the Mayflower setting sail with 102 passengers, mostly religious refugees, for a new...
Reviewed by Julian May in issue: April/2020
Prayers Beyond Words
Israel has for years been home to a number of masterful exponents of traditional Arabic, Turkish and Persian instruments such...
Reviewed by Lemez Lovas in issue: Jan/Feb/2010
Doctor Bird
Now in his mid 70s, the Trinidad and Tobago calypsonian the Mighty Sparrow, still performs, drawing attention to social justice...
Reviewed by Charles De Ledesma in issue: October/2011
À Flor da Pele
It was inevitable that fado, like any other musical genre, would find a new audience (even in its home country)...
Reviewed by GonÇalo Frota in issue: March/2010
