It's good, for her health's sake, that New York-based ghazal singer Kiran Ahluwalia isn’t one of those artists, like Led...
Reviewed by Simon Broughton in issue: July/2018
One of the great things about the Brazilian Beats series is that it has precious few restraints to its remit....
Reviewed by Russ Slater in issue: Jan/Feb/2014
Bola Johnson has been one of the finds in the recent plethora of re c ent Nigerian highlife/Afro-funk archive reissues....
Reviewed by Nigel Williamson in issue: Jan/Feb/2011
When Nickel Creek formed in 1989, siblings Sara and Sean Watkins and Chris Thile were not yet 13 years old....
Reviewed by Doug Deloach in issue: December/2020
This is Kelly Thoma's second solo album and, like her debut Anamkhara, it reveals her to be among the most...
Reviewed by Simon Broughton in issue: June/2015
Clarinettist Yom's second project with his band The Wonder Rabbis comes seven years after the first one. In between, he's...
Reviewed by Asher Breuer-Weil in issue: Jan/Feb/2019
Growing up in Germany as part of the Turkish diaspora, Ozan Ata Canani began playing the bağlama and writing songs...
Reviewed by Daniel Spicer in issue: August/2025
Bergamini may come from an academic background but he has played percussion alongside a wide range of Brazilian artists, from...
Reviewed by Andy Cumming in issue: May/2025
It’s as absurd to generalise about African albums as it would be American or European albums. But over the years...
Reviewed by Howard Male in issue: May/2017
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