Reviews
Jive & Soul: The Very Best Of
Mahlathini & The Mahotella Queens/The Soul Brothers
It’s highly unusual to combine two different artists on a ‘Best Of’ set like this, but the teaming of two...
Reviewed by Nigel Williamson in issue: Jan/Feb/2011
Orfeo
Fay Hield & The Hurricane Party
The title-track of Orfeo is a version of the Orpheus and Eurydice story dating from the 13th century, via a...
Reviewed by Julian May in issue: July/2012
Kalba
Isaac Birituro & The Rail Abandon
Recorded in a church in north Ghana, this charity-driven collaboration between Ghanaian xylophonist Isaac Birituro and British producer and singer-songwriter...
Reviewed by Lucy Hallam in issue: October/2019
And it Was Good
While I can't claim to have coined it, the term ‘chambergrass’ is the nearly perfect one-word description of the music...
Reviewed by Doug Deloach in issue: June/2017
La Madrugá
This new album from Yasser Tejeda comprises a slick and very enjoyable collection of nine tracks merging two distinct traits...
Reviewed by Philip Sweeney in issue: August/September/2023
Gagok, Pungnyu III
This is a beautifully packaged atmospheric recording, but one that may take some getting used to. The gagok repertoire, protected...
Reviewed by Keith Howard in issue: Apr/May/2012
Amerli: Refugees for Refugees
Muziekpublique is a non-profit organisation based in Brussels that seeks to bring together musicians from different cultures now resident in...
Reviewed by Nigel Williamson in issue: November/2016
Songs for the Voiceless
During World War I, the officer class attempted to suppress the marching song ‘If You Want to See the General’,...
Reviewed by Nathaniel Handy in issue: Nov/Dec/2014
Z is for Zykopops
This sounds like a half-baked student project that shouldn’t have gone beyond the confines of Zagreb University. It’s a shame,...
Reviewed by Simon Broughton in issue: Jan/Feb/2013
The Real Revolution
It’s 20 years since the American filmmakers Mark Johnson and Whitney Kroenke founded Playing for Change, hitting the streets with...
Reviewed by Nigel Williamson in issue: October/2022
