Reviews
The Way Home
Having followed an early grounding in his native Highland traditions with a full classical training, Donald Grant is both a...
Reviewed by Sue Wilson in issue: Jan/Feb/2010
The Stone Turntable
Transglobal Underground were there at the start, shaking up the London club scene with their beats-driven fusion and proudly hippy...
Reviewed by Jane Cornwell in issue: July/2011
Before the Sun
Following her fine solo debut, Charms Against Sorrow, the singer and guitarist has teamed up with The Willows’ dobro player,...
Reviewed by Tim Cumming in issue: December/2016
Beyond the Blue
Jamaican toasting legend Big Youth collaborates here with travelling French producers Brain Damage and Sam Clayton Jr in a heady...
Reviewed by Clyde Macfarlane in issue: Aug/Sep/2021
Into the Dark
Swelling unison riffs, ringing drones and lattice-work accompaniment: Into the Dark is a celebration of American string playing par excellence....
Reviewed by Tim Woodall in issue: March/2014
The Makovecz Tour
Violinist Félix Lajkó is pretty well known in Hungary, but not so much outside – despite being one of the...
Reviewed by Simon Broughton in issue: Nov/Dec/2012
The Brightest Path
Patsy Reid is an in-demand fiddler who's been heard with Breabach, Kathryn Tickell and The Treacherous Orchestra, among others. She...
Reviewed by Tim Cumming in issue: Apr/May/2014
The Innocent Left
Following on from their 2008 debut, Shadow and Half Light, and 2010’s Up From The Deep, the duo’s third album...
Reviewed by Tim Cumming in issue: Jan/Feb/2013
Watching the Well
Naim is a jazz label with an outstanding contemporary artist roster and a reputation for top-flight sound quality and production....
Reviewed by Tim Cumming in issue: Jan/Feb/2011
Jamboree: The Album
Now here's a really cheering and worthwhile project, which is exactly what you would expect from Oily Cart. It's a...
Reviewed by Robin Denselow in issue: March/2021
