Dom Prag is a young singer and guitarist from Southampton who discovered the world of traditional folk song when he...
Reviewed by Tim Cumming in issue: May/2022
Mandolinist John Reischman's relative obscurity outside of the insular bluegrass universe is by no means reflective of his standing in...
Reviewed by Doug Deloach in issue: Nov/Dec/2011
The incantation, ‘unidos, existimos’ (united, we exist), that opens this beguiling album suggests a pagan ritual, a mediation mantra, or...
Reviewed by Chris Moss in issue: June/2019
Barry Phillips, Linda Burman-Hall, Lux Musica Ensemble
The second album in the Utsav! series hears musicians coming up with some fascinating ways of lauding Shankar’s contribution to...
Reviewed by Maria Lord in issue: Jan/Feb/2014
It’s a long way from the North Atlantic to the South Pacific, but Christchurch-based quartet Emeralds & Greenstone are attempting...
Reviewed by Seth Jordan in issue: October/2010
Any musician should be wise enough to let his or her biography inform their music, and this is particularly true...
Reviewed by GonÇalo Frota in issue: June/2019
Is this the last album we will hear from Fanfare Ciocarlia? The world’s foremost Balkan brass band are not retiring...
Reviewed by Garth Cartwright in issue: December/2021
Femi Kuti's last album, 2018's One People One World, was disappointing; it lacked the bite of earlier recordings and sounded...
Reviewed by Nigel Williamson in issue: March/2021
Ágnes Herczku and her band, led by Nikola Parov, are standout musicians on the Hungarian folk scene, and their album...
Reviewed by Simon Broughton in issue: October/2016
Seamas Hyland left those rapscallions, The Mary Wallopers, last year. His first solo album, Maidin Domhnaigh (Sunday Morning) reveals his...
Reviewed by Julian May in issue: August/2024
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