Reviews
Zvony
Adrian Myhr & Michaela Antalová
This is a duo recording of Slovak and Norwegian flutes with double bass. The flutes, played by Michaela Antalová, are...
Reviewed by Simon Broughton in issue: January/February/2022
The World and All That It Holds
There are some critics out there – and I am not one – who maintain that Damir Imamović is heir...
Reviewed by Robert Rigney in issue: July/2023
Full Attack, With Sudden Defences
Things gets off to a compelling start with ominous double bass, loose splashy drums, and a snatch of film noir-ish...
Reviewed by Howard Male in issue: Jan/Feb/2012
Bi Cinnete Bakar
While it is true that young people in Turkey are getting clued in on 70s Anatolian psych through international acts...
Reviewed by Robert Rigney in issue: June/2022
BKXS
Jan Van Angelopoulos & Fotis Siotas
This is one of the more adventurous albums I’ve come across recently, and one which is based on arguably one...
Reviewed by Maria Lord in issue: April/2024
Furie
Something of an anomaly in this magazine but also on the pop scene, Anglo-Austrian singer Alicia Edelweiss is one of...
Reviewed by Tom Newell in issue: July/2025
Live in San Francisco
San Francisco’s Great American Music Hall, which looks as impressive as its name, is one of the closest things to...
Reviewed by Jeff Kaliss in issue: Nov/Dec/2013
Barefoot in Bryophyte
Mari Kvien Brunvoll & Stein Urheim with Moskus
Already a fan, I was lucky enough to see the first public outing of this project in Voss Jazz Festival...
Reviewed by Fiona Talkington in issue: September/2024
Hireth
A few accordion notes conjure the scene. Noir. Tanya Brittain makes her entrance: a wronged woman, bent on revenge. ‘Don’t...
Reviewed by Julian May in issue: December/2020
Seasons of Change
Recorded in Staffordshire's 19th-century Danebridge Methodist Chapel with guest players including Norway's Marit Fält (Vamm) on Nordic mandola and cittern...
Reviewed by Tim Cumming in issue: Aug/Sept/2020
