Reviews
The Elizabethan Session
Soon after the various artists who collaborated on The Elizabethan Session conceived their evocation of the first Elizabethan age, they...
Reviewed by Tim Cumming in issue: Nov/Dec/2014
The Other Side
Born in Sweden from a Turkish family, saxophonist Ilhan Ersahin works hard creating and promoting new sounds and events in...
Reviewed by Francesco Martinelli in issue: October/2014
Into the Bloodstream
Aboriginal singer-songwriter Archie Roach has had a tough life. A member of Australia’s ‘stolen generation, forcibly removed from his family...
Reviewed by Seth Jordan in issue: Jan/Feb/2013
Off the Grid
‘The word [Onipa] means ‘human’ in Akan, the ancient language of the Ashanti people of Ghana,’ frontman Kweku Sackey (aka...
Reviewed by Max Reinhardt in issue: November/2023
The Rhizome Project
It could be said that The Rhizome Project is Vermont-based Moira Smiley’s ode to roots music. But the metaphorical rhizome...
Reviewed by Jeff Kaliss in issue: December/2024
For the Olives
With For the Olives, New Orleans-based Trendafilka extends the legacy of Eastern European polyphonic singing into the 21st century. An...
Reviewed by Doug Deloach in issue: May/2025
Crashing waves dance to the rhythm set by the broadcast journalist revealing the tragedies of the day
Charbel Haber, Nicolás Jaar & Sary Moussa
Recorded August 2, 2024 in Beirut, during Israeli aggression against Lebanon, this album consists of a single unedited ambient improvisation...
Reviewed by Charlie Cawood in issue: October/2025
Monsieur MÂLÂ
Monsieur MÂLÂ, a Parisian jazz fusion quintet, emerges from the shadows of supporting roles for musicians like Blick Bassy, Mayra...
Reviewed by Lucy Hallam in issue: May/2024
Oi! A Nova Musica Brasileira!
From the CDs released outside Brazil, people would be forgiven for thinking that today's Brazilians listen to nothing but 70s...
Reviewed by Alex Robinson in issue: Nov/Dec/2010
Illustrated Short Stories
Twin sisters Charlotte and Laura Carrivick grew up playing music together and have been performing professionally since 2006. While mostly...
Reviewed by Kevin Bourke in issue: January/February/2023
