Reviews
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Mark Ernestus presents Jeri-Jeri
These two releases have come out with little fanfare, which belies what is a unique musical pairing. Berlin’s Mark Ernestus...
Reviewed by Chris Menist in issue: Jan/Feb/2014
Taziri
French guitarist and bouzouki player Robin's musical journeys around the Mediterranean are part of his signature style. His latest collaboration...
Reviewed by Tim Cumming in issue: July/2015
Al Viento
Even without the different surnames, you’d be forgiven for not realising that Pedro Soler and Gaspar Claus are father and...
Reviewed by Merlyn Driver in issue: Aug/Sep/2016
Answer Ballads
It’s such a neat concept, you’re surprised no one has thought of doing it before: ‘answer songs’ to classic pop...
Reviewed by Tim Cumming in issue: Jan/Feb/2014
Moon Night
For prolific Chinese erhu virtuoso Guo Gan, the last few years have seen a number of new explorations, including collaborations...
Reviewed by Charlie Cawood in issue: March/2019
Galactic Gala
Mixing century-old traditional vocals with the latest sonic technology has always been an attractive yet dangerous musical venture. More often...
Reviewed by Marc Fournier in issue: April/2020
A Bela Vida
It's not ofen that the oboe takes the lead in any genre and its pinched tone can sometimes be too...
Reviewed by Mark Sampson in issue: June/2020
Spain Forever
This is the latest in a very occasional series of duo albums by the Dominican pianist Michel Camilo and Andalusian...
Reviewed by Jo Setters in issue: Jan/Feb/2017
Byzaanchy
Choduraa Tumat is one of Tyva’s finest female khöömeizhi (master throat singers), being leader of the group Tyva Kyzy, but...
Reviewed by Michael Ormiston in issue: March/2022
Grandmother’s Dance
Ahmad al Khatib’s 2012 album Sabîl was one of the most exciting oud (Arab lute) recordings in recent years. His...
Reviewed by Bill Badley in issue: Jan/Feb/2014
