Reviews
The Guesthouse Sessions
Lockdown has proved a rich creative experience for the Belgian bal folk duo, diatonic accordionists Pascale Rubens and Toon Van...
Reviewed by Nathaniel Handy in issue: November/2021
The Longshot
Never has hard graft been so tenderly celebrated as on The Long Shot, the North¬umbrian husband-and-wife duo’s fourth album. Stu...
Reviewed by Tim Cumming in issue: Aug/Sep/2010
Measure, Pour & Mixtape: Music for Cooking
This is literally a cassette mixtape, limited to 300 copies, although also available digitally. The mechanics of cooking, the sociability...
Reviewed by Martin Longley in issue: March/2024
Music for the Hawaiian Islands Vol 3: Pi’ilani Maui
The third volume of Kuana Torres Kahele's six-part CD series celebrating the musical spirit of individual Hawaiian Islands continues the...
Reviewed by Seth Jordan	 in issue: July/2015
Folk for Little Folk Vol 1
Although listed as ‘for little folk,’ Canadian fiddler Gordie ‘Crazylegs’ MacKeeman's new album has plenty to offer adults who appreciate...
Reviewed by Doug Deloach in issue: November/2021
Sounds and Silence: Music for the Film
Divorced from the documentary that it soundtracks [reviewed on p103], Sounds And Silence effectively becomes a plain and simple ECM...
Reviewed by Matthew Milton in issue: Nov/Dec/2011
It is Time for You to Return
Jozef van Wissem is a baroque lute player and self-styled avant-garde composer who recently came to prominence for his soundtrack...
Reviewed by Bill Badley in issue: March/2015
Your Comfort Zone
Cumbia grooves, salsa horn riffs and calls to rebellion coalesce on this bombastic record. Opener ‘You are the Revolution’ could...
Reviewed by Liam Izod in issue: October/2025
Potions and Poison
The opening track here sets a precedent for the remaining nine original songs on the fourth album by the Colorado-based...
Reviewed by Doug Deloach in issue: Jan/Feb/2018
A Great Day For The Race
Flap! (yes, the exclamation mark is part of the band name) hail from Melbourne and were discovered by Marcus Britton...
Reviewed by Garth Cartwright in issue: Nov/Dec/2012
