Reviews
Norwegian Electronic Folk Music
Kenneth Lien & Center of the Universe
Norway has a thriving and intriguing experimental folk scene, and multi-instrumentalist Kenneth Lien is one of its key exponents. I...
Reviewed by Robin Denselow in issue: December/2025
Super Somali Sounds from the Gulf of Tadjoura
As part of their ongoing relationship with Radiodiffusion-Télévision de Djibouti, Ostinato Records launch the initial instalment of their new Djibouti...
Reviewed by Jim Hickson in issue: May/2021
Lo Bueno, Lo Malo, Lo Feo y los Alaracosos
Ten years after their debut, Peru’s Los Chapillacs are back, and their sound has hardly changed. Which is a great...
Reviewed by Russ Slater in issue: January/February/2022
Afrik TounMé
These are difficult days in Mali, with political upheaval adding to the problems brought by COVID-19, but great music is...
Reviewed by Robin Denselow in issue: November/2020
Amankor/The Exile
This exiled Touareg ensemble from Mali's Timbuktu region have been active for nearly three decades, led by singer Fadimata Walet...
Reviewed by Martin Longley in issue: April/2019
Amansara
Chancha Via Circuito is one of a group of producers that emerged from Buenos Aires in the mid-2000s as part...
Reviewed by Russ Slater in issue: Nov/Dec/2014
Making Waves
Luke Daniels’ Revolve and Rotate EP featured the sounds of the extraordinary Polyphon, a sort of vaudevillian organic-analogue synth –...
Reviewed by Tim Cumming in issue: May/2017
BRSB
Bacao pan out of Hamburg, lending a Caribbean touch to rap hits, although some of these covers are somewhat mainstream...
Reviewed by Martin Longley in issue: May/2024
Indumiso YabeNguni
Ntuthuko Ndebele – aka Mthuthu – began setting his lyrics to house music in collaboration with various South African DJs...
Reviewed by Nigel Williamson in issue: April/2025
Snow Beneath the Belly of a White Swan: The Lost Live Recordings
Basho was an unconventional and singular 12-string guitarist, an outsider whose music remains uniquely beguiling. Often dubbed the ‘Father of...
Reviewed by Chris Wheatley in issue: February/March/2025
