A beefy baritone sax hails the return of the little big band from Ottowa. Whatever they've done to that 8-track...
Reviewed by Mark Sampson in issue: Apr/May/2014
Now that's what I call a CD set. A foot-tall board-encased booklet, shaped like an old gramophone loudspeaker trumpet, is...
Reviewed by Philip Sweeney in issue: October/2011
After his sublime album, Clychau Dibon, with Welsh harpist Catrin Finch that won Best Cross-Cultural Collaboration in the 2014 Songlines...
Reviewed by Nigel Williamson in issue: July/2015
Quoting from hyperbolic press releases is probably not good album-reviewing practice but it's hard to resist the description of this...
Reviewed by Nigel Williamson in issue: June/2018
Like the Grass is a collaborative work between ‘bow expert’ Cara Stacey, violinist and composer Galina Juritz (both South African),...
Reviewed by Marek Tymków in issue: Aug/Sept/2020
They have picked up three consecutive awards for best group at the BBC Radio 2 Folk Awards, and for their...
Reviewed by Tim Cumming in issue: Nov/Dec/2012
Orquesta Aragón is at heart a charanga orchestra, a fluid blend of woodwind, brass and strings with flute and violins...
Reviewed by Jan Fairley in issue: Jan/Feb/2010
A veteran of the Irish music scene in New York, Talbot honed her craft in wedding bands before touring and...
Reviewed by Tim Cumming in issue: Nov/Dec/2010
Inspired by the Na Bàird Thirisdeach, an early 20th-century collection of songs and poems from the island of Tiree, this...
Reviewed by Billy Rough in issue: May/2018
Your ears could be forgiven for presuming there was at least one percussionist, guitarist or mandolin player on this album....
Reviewed by Matt Milton in issue: August/2017
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