In the US, the Mavericks are packaged to the mainstream as a country band. They can play anything, from rockabilly...
Reviewed by Chris Moss in issue: November/2020
Is this the sound of post-revolutionary Tunisia? Perhaps. Certainly it is a self-assured, outward-looking and proudly individual debut from a...
Reviewed by Nathaniel Handy in issue: Apr/May/2012
Visitors to Port of Spain's legendary carnival will recall Panorama, the steel band competition at which bands – some up...
Reviewed by Charles De Ledesma in issue: November/2015
Faustus was the man with the magic touch, though it came at the price of damnation. Faustus the band share...
Reviewed by Tim Cumming in issue: June/2013
Ablaye Cissoko & Volker Goetze
In the 60s everyone from Yehudi Menuhin to the Beatles wanted the sound of the Indian sitar on their records....
Reviewed by Nigel Williamson in issue: Apr/May/2013
Naim is a jazz label with an outstanding contemporary artist roster and a reputation for top-flight sound quality and production....
Reviewed by Tim Cumming in issue: Jan/Feb/2011
Any visitor to the Guča festival will have witnessed the raucous spectacle of two sweat-soaked brass bands angrily trying to...
Reviewed by Joe Walker in issue: Aug/Sep/2011
The latest album from Devon duo Steve Knightleyand Phil Beer exhibits their trademark concern for making folk music speak to...
Reviewed by Nathaniel Handy in issue: Jan/Feb/2013
Brina_is Subrina Ward, a Jamaican singer married to Kieran Murray, a multi-talented Scot who collaborated with her and other musicians...
Reviewed by Neil Foxlee in issue: Nov/Dec/2012
The Armenian duduk is one of the most beautiful instruments on earth. The soft, plangent sound exudes a sweet sadness...
Reviewed by Simon Broughton in issue: Apr/May/2010
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