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Review of Restitute

Restitute

Eliza Carthy

Top of the World

Topic Records

Rating: ★★★★

In 2016, the Wayward Band, the ensemble of gifted musicians Eliza Carthy first assembled in 2013, suffered what she describes...

Reviewed by Julian May in issue: July/2019

Review of Janus

Janus

heilo

Rating: ★★★★

Hardanger fiddle player Annbjørg Lien has long been putting her instrument on the international map. She first recorded aged 12...

Reviewed by Simon Broughton in issue: April/2022

Review of Raga Yaman

Raga Yaman

Uday Bhawalkar

i dischi di angelica

Rating: ★★★★

Uday Bhawalkar is a maestro of dhrupad, an ancient Indian classical vocal style, believed to be the world's oldest musical...

Reviewed by Jameela Siddiqi in issue: August/September/2023

Review of Nenĭa Iră

Nenĭa Iră

Nenĭa Iră

Vlad Productions/Absilone/Believe Digital

Rating: ★★★

This eponymous first album by one-woman band Aurélia Nardini draws on Mediterranean modal music, supplemented by her electronic machines, Indian...

Reviewed by Daniel Brown in issue: April/2023

Review of Qasr

Qasr

Sheherazaad

Erased Tapes

Rating: ★★★

This layered debut explores issues of identity that arise when one’s ethnic heritage does not wholly align with one’s country...

Reviewed by Liam Izod in issue: April/2024

Review of Faz Tempo

Faz Tempo

Alvorada

ARC Music

Rating: ★★★

When I first arrived in Brazil, one of my first experiences with live music was a roda de choro in...

Reviewed by Andy Cumming in issue: January/2025

Review of kwaNTU

kwaNTU

Madala Kunene & Sibusile Xaba

Top of the World

New Soil x Mushroom Hour Half Hour

Rating: ★★★★★

kwaNTU feels less like an album and more like an encounter. It brings together Madala Kunene, a significant figure within...

Reviewed by Hillary Palesa Morusi in issue: February/March/2026

Review of Café Türk

Café Türk

Café Türk

Zel Zele

Rating: ★★★★

This LP is one of the most welcome releases of the year, and the story behind it is a heart-warming...

Reviewed by Robert Rigney in issue: January/2021

Review of I Can Be A Clay Snapper (Lahko Sem Glinena Mesojedka)

I Can Be A Clay Snapper (Lahko Sem Glinena Mesojedka)

Širom

tak:til

Rating: ★★★★★

Širom, a young Slovenian multi-instrumentalist trio, exemplify a fine balance between improvisation and craft. This, their second studio outing, sees...

Reviewed by Tommie Black-Roff in issue: November/2017

Review of Abatwa (The Pygmy): Why Did We Stop Growing Tall?

Abatwa (The Pygmy): Why Did We Stop Growing Tall?

VARIOUS ARTISTS

Glitterbeat Records

Rating: ★★★

Following recordings made in Vietnam, Cambodia and Mali, the fourth album in Ian Brennan's Hidden Musics series finds the indefatigable...

Reviewed by Nigel Williamson in issue: November/2017

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