Knowing nothing about this seven-piece, save that it hailed from Hungary and appeared to have a religious bent, on first...
Reviewed by Kim Burton in issue: December/2019
Despite his extensive success performing in folk clubs in the 1970s, David Carroll never got around to recording a solo...
Reviewed by Martin Sinnock in issue: April/2023
Imagine if, in their late years, Robert Johnson, Leadbelly, Blind Lemon Jefferson and Muddy Waters all got together for a...
Reviewed by Michael Ormiston in issue: Apr/May/2012
The interesting album title has been taken from one of the Greek poet Sappho's fragments. It suggests Cannell seeks in...
Reviewed by Julian May in issue: Aug/Sep/2014
It's not often that music recorded a few weeks ago evokes a vivid atmosphere of many centuries past. Andrea Menard's...
Reviewed by Marc Fournier in issue: April/2023
Apart from big hitters like Antonio Pinto, it's relatively rare to see music written for Brazilian cinema enjoying any kind...
Reviewed by Brendon Griffin in issue: March/2015
Described as a ‘gesture of gratitude and admiration’ from the 50-something Dhafer Youssef of today to his teenage self, this...
Reviewed by Russell Higham in issue: March/2023
Now, more than ever, musicians don't have to leave the privacy of their homes to cut an album. They hook...
Reviewed by Robert Rigney in issue: June/2021
With a warm blast of flute curling over gentle birdsong, the stage is set for the fourth album by Eneida...
Reviewed by Jane Cornwell in issue: March/2020
For Vida-Código -his fourth album and his third on the Swedish Ajabu! label – Tiganá Santana presents very little of...
Reviewed by Mark Sampson in issue: April/2020
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