Recession and emigration has taken its toll in recent years on Ireland’s traditional music scene, with pub closures, rising alcohol...
Reviewed by Michael Quinn in issue: June/2013
Fifty years after his debut LP, Christ Moore's latest solo offering sees the Irish icon trawling though his live back...
Reviewed by Michael Quinn in issue: March/2020
There was the Buena Vista Social Club, of course. And then there was Ibrahim Ferrer, its unofficial frontman. Born at...
Reviewed by Jane Cornwell in issue: May/2020
Bill Laurance & Michael League
Michael League and Bill Laurance are leading figures of the massively popular collective Snarky Puppy, who snag everything from jazz,...
Reviewed by Alexandra Petropoulos in issue: April/2023
Offspring of ultra-famous artists tread a difficult path forging their own musical style: witness sundry mini Marleys and Kutis. This...
Reviewed by Phil Sweeney in issue: June/2011
A founding member of Irish experimental folk outfit Lankum, as well as lecturer and researcher on the history of Irish...
Reviewed by Olivia Cheves in issue: January/February/2023
This is quite an extraordinary project for fans of the Turkish ney – the reed flute that is at the...
Reviewed by Simon Broughton in issue: July/2012
Lalgudi Vijayalakshmi, Mala Chandrashekar & Jaishree Jaira
It used to be unusual to come across new releases of Karnatic (South Indian) music because North Indian, or Hindustani...
Reviewed by Jameela Siddiqi in issue: Jan/Feb/2010
While it is frequently powerful, contemporary Australian Aboriginal music is usually non-confrontational – a traditional-meets-modern combination full of heartfelt lyrics...
Reviewed by Seth Jordan in issue: October/2017
Stanley Brinks & the Old-Time Kaniks
Indie-folk is often terrible: a ham-fisted, middle-of-the-road mush of xylophones and ukuleles that is unashamedly twee and contrivedly cute. Thankfully,...
Reviewed by Matt Milton in issue: March/2017
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