Reviews
Congolese Funk, Afrobeat & Psychedelic Rumba 1969-1978
You have to hand it to Frankfurt-based label Analog Africa. The fuel on which it runs is a passionate obsession...
Reviewed by Max Reinhardt in issue: March/2015
Africatown, AL Ancestor Sounds
After all Ian Brennan’s field recordings of mostly non-professional musicians and singers recorded around the world from Rwanda to Romania...
Reviewed by Nigel Williamson in issue: June/2024
Jaadu
Faiz Ali Faiz, the qawwali singer from Pakistan, has been involved in several fusion projects – notably the remarkable Qawwali...
Reviewed by Max Reinhardt in issue: Jan/Feb/2010
Musical Explorers: Music of Tibet
This re-release of archive recordings is a welcome addition to the many Tibetan musical releases recorded in exile since the...
Reviewed by Michael Ormiston in issue: May/2018
Black Robert
Since releasing theirsecond album, Brule Lentement [reviewedin #68], which wasinfluenced by TheClash as well as 1920s zydeco squeezebox supremo AmedeArdoin,...
Reviewed by Julian May in issue: March/2011
Ojinga’s Own
Formed in 1971 and still going strong with Eze Rockcliffe remaining at the helm, Yoruba Singers were first among equals...
Reviewed by Michael Quinn in issue: November/2023
Neon Colonialismo
It's ten years since musical free radical Batida, aka Pedro Coquenão, exploded into my dance floor set with his Batida...
Reviewed by Max Reinhardt in issue: December/2022
Bamako Today
The BKO Quintet consist of four Malians and one French musician; they play traditional Malian music with a modern twist....
Reviewed by Martin Sinnock in issue: Jan/Feb/2015
En Kötü Iyi Olur
Turkish trio Lalalar are a pretty convincing example of how oppression can cause unruly bursts of refusenik artistic expression. The...
Reviewed by Daniel Spicer in issue: November/2023
Moa Anbessa
Possibly taking a leaf out of the book of his compatriot and contemporary Mulatu Astatke, the Ethiopian saxophonist – and...
Reviewed by Nige Tassell in issue: June/2010
