Montréal percussionist Daniel Bellegarde’s second solo album continues his fascination with the music of Haiti and the French West Indies,...
Reviewed by Martin Longley in issue: July/2022
This second album by Bristolian Afrobeat specialists No Go Stop benefits from a powerful production, the 12-piece band tightly arranged...
Reviewed by Martin Longley in issue: November/2022
Since its genesis in the 18th century, the flamenco guitar has changed little. Its use, however, has shifted from being...
Reviewed by Chris Moss in issue: Jan/Feb/2015
If I told you this disc was recorded yesterday, you’d think it was the most cutting-edge thing you’d heard all...
Reviewed by John Whitfield in issue: May/2016
Blackmoon1348 with the Tibetan Monks of the Tashi Lhunpo Monastery
This record comes in the wake of a historic tour in which the Tibetan monks of the Tashi Lhunpo Monastery...
Reviewed by Tim Romain in issue: April/2019
Scottish fiddler, composer and singer Kate Young plays in two English folk ensembles: vocal and fiddle quartet Carthy, Hardy, Farrell...
Reviewed by Tim Woodall in issue: March/2015
Certain things give the roots revival and environmental con-sciousness a bad name. Those New Age shops full of joss sticks,...
Reviewed by Nathaniel Handy in issue: March/2011
It's immediately apparent that Jessica Moss, former violinist of art-rock indie band Thee Silver Mt Zion Memorial Orchestra, knows her...
Reviewed by Matt Milton in issue: July/2017
One uses the term ‘supergroup’ with caution, but Tribalistas unite three giants of MPB, (Música Popular Brasileira). The golden-voiced Marisa...
Reviewed by Mark Sampson in issue: Jan/Feb/2019
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