Reviews
Fire Under the Bridge
This sextet of folk musicians came together in Newcastle-upon-Tyne in northern England, in the shadow of the mighty Tyne Bridge,...
Reviewed by Nathaniel Handy in issue: April/2020
Dark Matter
Ever since 1982, when Australia’s I Goanna band gifted I radio stations their enduring Top 10 hit ‘Solid Rock’, the...
Reviewed by Seth Jordan in issue: October/2020
My Life in a Hole in the Ground
This is a very welcome reissue of the first four albums by African Head Charge – reissued as individual vinyl...
Reviewed by Martin Sinnock in issue: April/2016
Horns of Freedom
It’s hard to think of a time when Afrobeat was so in vogue. New Fela Kuti reissues are a monthly...
Reviewed by Russ Slater in issue: March/2014
The God Who Devastates Also Cures
On each of Lucas Santtana's previous five albums there was a concept that the Brazilian singer-songwriter set himself, a way...
Reviewed by Russ Slater in issue: Nov/Dec/2012
Nova
For his first solo album in nine years Apneseth, one of Norway’s most thrilling Hardanger fiddle players, chose to record...
Reviewed by Fiona Talkington in issue: October/2022
The Gnawa Caravan: Salt
London-based gimbri master and Gnawa evangelist Simo Lagnawi is becoming a prolific and reliable recording artist, releasing Gnawa-themed albums with...
Reviewed by Tim Woodall in issue: April/2016
All the Way Home
Cathy Jordan has stepped out from the front ranks of the band Dervish after more than two decades. Her debut...
Reviewed by Michael Quinn in issue: June/2012
Tales from the Punjab
Shez Raja is the kind of bass player who eschews the back row in favour of centre stage. In the...
Reviewed by Liam Izod in issue: May/2021
Sake of the Sound
Front Country were formed in 2011 by some of San Francisco's finest young bluegrass and acoustic roots players – Adam...
Reviewed by Doug Deloach in issue: Jan/Feb/2015
