Mísia was integral to the new wave of fadistas in the 1990s, helping to revitalise the genre with new influences,...
Reviewed by Michael Macaroon in issue: December/2019
Think of a male/female acoustic guitar duo, add Mexico to the equation and you may well come up with Rodrigo...
Reviewed by Mark Sampson in issue: January/2021
As the voices on the first track of this album fade in, we know we are in for a treat...
Reviewed by Tom Newell in issue: Apr/May/2013
One of the first Congolese artists to come to Europe and popularise the commercial soukous sound at the beginning of...
Reviewed by Martin Sinnock in issue: December/2022
Lee ‘Scratch’ Perry & The Upsetters
While this single CD containing two albums is credited to ‘The Upsetter’, the man behind the magic across the 24...
Reviewed by Garth Cartwright in issue: Jan/Feb/2019
Canadian Dana Sipos has one of those voices usually described in words such as ethereal, ghostly, pastoral or ‘almost identical...
Reviewed by Doug Deloach in issue: October/2015
From the first beats of ‘I Wanna Talk to You’, the opening track of Eccodek’s fifth studio album Recalibrate, you...
Reviewed by Olivia Cheves in issue: August/September/2022
Leveret are a squeezebox trio: Sam Sweeney on fiddle and viola; Rob Harbron on English concertina; and Andy Cutting on...
Reviewed by Julian May in issue: March/2015
Cartola was perhaps the most exhilarating of all samba songwriters. Not the kind of samba like the frantic dance...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2017
One might have thought that the prolific Wu Man – who more or less single-handedly introduced the Chinese pipa lute...
Reviewed by Michael Church in issue: Jan/Feb/2011
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