Reviews
The World Ends: Afro Rock and Psychedelia in 1970s Nigeria
Is there no end to this stuff? The World Ends is the third album of vintage Nigerian sounds released on...
Reviewed by Nigel Williamson in issue: October/2010
A l’ Ombre du Grand Baobab
The Malian griot Mah Damba has lived in France for many years and her music reflects her cultural cosmo– politanism....
Reviewed by Nigel Williamson in issue: March/2011
Frente Cumbiero meets Mad Professor
Frente Cumbiero meets Mad Professor
Guyana-born dub master Mad Professor certainly gets around. The list of international collaborators he has worked with is pretty exhaustive,...
Reviewed by Ed Stocker in issue: March/2012
The Rough Guide to Samba
In this latest incarnation of The Rough Guide to Samba, compiler John Armstrong works from a generous definition of Brazil's...
Reviewed by Brendon Griffin in issue: March/2013
Jaadu
Faiz Ali Faiz, the qawwali singer from Pakistan, has been involved in several fusion projects – notably the remarkable Qawwali...
Reviewed by Max Reinhardt in issue: Jan/Feb/2010
Gamelan of Java, Volume IV: Puspa Warna
Lyrichord's latest two discs highlight Javanese gamelan music's diversity. On Puspa Warna, musicians from central Java perform some of the...
Reviewed by John Whitfield in issue: June/2011
Bali 1928 Vol III: Lotring and the Sources of Gamelan Tradition
These recordings almost didn’t survive. Intended for the Balinese market, they were a commercial disaster, and the label's agent smashed...
Reviewed by John Whitfield in issue: April/2016
ID
The album cover says it all: a picture of the globe, the various continents composed of heads of human beings...
Reviewed by Robert Rigney in issue: November/2021
Mauritanie
The liner notes declare with stark and admirable honesty that Coumbane Mint Ely Warakane isn't a marquee name in her...
Reviewed by Andy Morgan in issue: Nov/Dec/2010
