Reviews
Intersection
Where do you even begin to start with the situation in the Middle East? So many artists have tried to...
Reviewed by Nathaniel Handy in issue: April/2018
Breathbox
I was lucky enough to be at a concert given by the accordionist Antti Paalanen at the Sibelius Academy in...
Reviewed by Fiona Talkington in issue: Apr/May/2011
Tuath: Songs of the Northlands
Brian Ó hEadhra & Fiona Mackenzie
Brian Ó hEadhra and Fiona Mackenzie have been working together for 25 years now, notably in the bands Anam and...
Reviewed by Rob Adams in issue: May/2020
Clychau Dibon
The Welsh-born Catrin Finch has made her name playing harp with some of the world’s most prestigious orchestras, yet she’s...
Reviewed by Nigel Williamson in issue: Nov/Dec/2013
Esquineros
The esquina (street corner) has mythic currency in Buenos Aires. It's the classic location of cafés and bars, and it's...
Reviewed by Chris Moss in issue: November/2016
Lambi Golo
The decade that has lapsed since TourÉ Kunda's 2008 album Santhiaba had led this reviewer to fear that the Senegalese...
Reviewed by Nigel Williamson in issue: Aug/Sep/2018
Rumi Symphony Project Cycle 1: Untold
Hafez Nazeri is the son of the renowned Iranian-Kurdish singer and instrumentalist Sharam Nazeri. He has set up an ambitious...
Reviewed by Neil van der Linden in issue: Aug/Sep/2014
Lanmou Lanmou
Dowdelin (a play on the word ‘dawdling’) are a four-piece band based in Lyon, France, whose name is a bit...
Reviewed by Lucy Hallam in issue: April/2022
