There have been a lot of releases in recent years by European acts incorporating Asian pop and even traditional instrumentation...
Reviewed by James Catchpole in issue: May/2022
Since joining forces more than two decades ago, Devon duo Steve Knightley and Phil Beer have become not only a...
Reviewed by Kevin Bourke in issue: March/2016
Originally a side project for accordionist Drew Simon, letting him play more accordion than he could in his ‘other’ band,...
Reviewed by Kevin Bourke in issue: April/2020
Botown should be commended for endeavouring to avoid the mush of a vague world beats formula and instead focusing decisively...
Reviewed by Nathaniel Handy in issue: June/2011
Dallahan aficionados will want to know that the Edinburgh-based quartet's fourth studio album suggests something of a new beginning as...
Reviewed by Michael Quinn in issue: July/2023
Ensemble Hougaku Shijyuusoudan
Japanese musicians have few competitors when it comes to sustaining traditions while subtly updating them for today. Traditions are rarely...
Reviewed by Keith Howard in issue: June/2024
The Modern Jazz and Folk Ensemble
This is an intriguing set in which classic songs from the folk-rock era of the late 60s and early 70s...
Reviewed by Robin Denselow in issue: August/2024
This album not only has some wonderful music but is also a valuable ethnographic and historical record of the culture...
Reviewed by Maria Lord in issue: October/2014
Ronan le Bars plays the cornemuse Irlandaise – better known as uilleann pipes – and he's brought their distinctive timbre...
Reviewed by Andrew Mcgregor in issue: December/2016
That a mundane bit of tidying up can inspire a work of the origin¬ality and quality of The Speech Project...
Reviewed by Julian May in issue: March/2012
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