Gathering 18 Studio One recordings from across the 1970s that focus loosely on the black experience, this album finds Alton...
Reviewed by Garth Cartwright in issue: April/2018
There are many bear-traps that Indian fusion records tend to fall into – pretentiousness, over-complexity and cod spirituality being among...
Reviewed by Peter Culshaw in issue: Jan/Feb/2014
Guitarist Jeannot Bel is one of a handful of fine Congolese musicians based in the UK who are managing to...
Reviewed by Martin Sinnock in issue: October/2012
Garth Cartwright is fast becoming one of the most intriguing and readable music writers in the UK, his upbringing in...
Reviewed by Max Reinhardt in issue: Nov/Dec/2010
As the son of one of the world’s greatest ever musicians, it’s understandable that Vieux Farka Touré has spent his...
Reviewed by Jim Hickson in issue: July/2022
At first glance there is something suspiciously ‘arty’ about DakhaBrakha. Attired in exaggerated folk costumes and oversize black lamb-fur head-gear...
Reviewed by Robert Rigney in issue: July/2020
Aselefech Ashine & Getenesh Kebret
The first full reissue since its initial release in 1976, Beauties features the two enigmatic female singers Aselefech Ashine and...
Reviewed by Tom Newell in issue: October/2023
Anything Abel Selaocoe touches is bound to be extraordinary. Having followed his career from its early days, it’s been a...
Reviewed by Alexandra Petropoulos in issue: April/2025
Čači Vorba is the name of the group, but it's vocalist and fiddler Maria Natanson who is the star of...
Reviewed by Simon Broughton in issue: March/2016
The pace is frenetic from the off, but there's something more in the mix than just the usual racing rhythm...
Reviewed by Howard Male in issue: May/2016
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