Reviews
Hemdem
Sinan Cem Eroglu & Muhlis Berberoglu
Hemdem means, literally, ‘breathe together’ and designates in Turkish one's best friend. But since dem also means ‘drone’ it could...
Reviewed by Francesco Martinelli in issue: Aug/Sep/2018
História do Choro
História do Choro is an ambitious, meticulous and well-executed journey through the history of an iconic Brazilian genre led by...
Reviewed by Gabrielle Messeder in issue: Aug/Sep/2019
Some Other Land
Perhaps best known for his work as fiddler for The Treacherous Orchestra, Session A9 and Peatbog Faeries, Adam Sutherland is...
Reviewed by Billy Rough in issue: May/2018
Addoh
On this, his debut album, guitarist and singer Oumar Konaté seeks to place himself among the ever-growing pantheon of Mali's...
Reviewed by Jim Hickson in issue: Aug/Sep/2014
Kindred Souls
Nothing should really surprise us in the global village of world music any more, but even so Adrian Freedman’s CV...
Reviewed by Nigel Williamson in issue: July/2021
Miyan ki Todi – Bombay 1968
The honorific Dagar is synonym¬ous with dhrupad, one of the world’s oldest classical vocal genres. Zia Mohiuddin, who died in...
Reviewed by Jameela Siddiqi in issue: Jan/Feb/2012
Sonoridade Pólvora
Hailing from Bahia, Brazil, but brought to us by a Swedish record label, the singer-songwriter Ian Lasserre plies determinedly unassuming,...
Reviewed by Brendon Griffin in issue: August/2017
The Gap
It's been five long years since India Electric Co released their debut, The Girl I Left Behind Me. In that...
Reviewed by Nathaniel Handy in issue: Aug/Sept/2020
I am Suffering
Agongo – full name Jacob Abagnagongo – plays the kologo, a two-stringed calabash lute which is the typical instrument of...
Reviewed by Nigel Williamson in issue: Jan/Feb/2017
