Despite several line-up changes across more than two decades together, Danú, guided by button accordionist co-founder Benny McCarthy, has managed...
Reviewed by Michael Quinn in issue: October/2018
Here's a quaint item. In the mid-70s the ethnomusicologist François Jouffa compiled some recordings made in Niger by a certain...
Reviewed by Andy Morgan in issue: Nov/Dec/2010
Having each been raised in distinct traditions within the Røros region of central Norway, Ole Jorgen Tamnes in the Brekken...
Reviewed by Kevin Bourke in issue: March/2012
General Paolino featuring Mama Celina
It’s great to hear music from South Sudan, especially on a reputable label like IRL. But it’s baffling that the...
Reviewed by Robin Denselow in issue: July/2013
The pairing of Haitian ensemble Lakou Mizik and Grammy-winning electro wiz Joseph Ray is unlikely, sure, but only on paper....
Reviewed by Jane Cornwell in issue: July/2021
The great dreamer of European unity, Stefan Zweig, speaking of poetics and spiritual power, once wrote that ‘The Skipetares (Albanians)...
Reviewed by Kim Burton in issue: April/2021
Blending any sort of traditional music with electronic effects is always a risk. Meanings may be lost, or rhythms diluted....
Reviewed by Jane Cornwell in issue: March/2021
Fourteen years after the improvised sessions that begat Buena Vista Social Club, World Circuit returns to its original vision: an...
Reviewed by David Hutch eon in issue: Nov/Dec/2010
Kronos Quartet, Vân-Ánh Vanessa Võ, Rinde Eckert
The Apocalypse Now image on the album cover and the title Mỹ Lai, the name of a terrible massacre of...
Reviewed by Simon Broughton in issue: August/September/2022
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