Oysterband have had an impressive history, and they are certainly not finished yet. This is the 12th studio album, the...
Reviewed by Robin Denselow in issue: May/2022
Anders Hagberg & Ahmad Al Khatib
Ahmad Al Khatib's last CD, Sabîl, was one of the most impressive solo oud recordings to have appeared in recent...
Reviewed by Bill Badley in issue: Apr/May/2015
It's been a decade since the release of the first African Scream Contest compilation. Much like that fascinating collection of...
Reviewed by Howard Male in issue: July/2018
Orchestra Bailam have been around since 1989, with a respectable backlist discography still available. The core group of five guys...
Reviewed by Marc Dubin in issue: Aug/Sep/2016
For his 21st ECM album, Stephan Micus employs no fewer than nine instruments from different cultures, but focuses principally on...
Reviewed by Michael Church in issue: October/2015
The hard-hitting sextet from Ottawa struts its stuff again. It may be the band's first all-vocal album and there may...
Reviewed by Mark Sampson in issue: November/2015
When writing compositions dedicated to a child, artists have to be careful not to cross the line into sentimentality. The...
Reviewed by Tim Woodall in issue: June/2017
War is not always amenable to great art. Feelings of horror, loss and grief give rise to a sense that...
Reviewed by Robert Rigney in issue: March/2023
Soundway are on a roll at the moment, with new projects and compilations such as this that steadily mine the...
Reviewed by Chris Menist in issue: Jan/Feb/2013
It’s as absurd to generalise about African albums as it would be American or European albums. But over the years...
Reviewed by Howard Male in issue: May/2017
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