Born in Latium's historic town of Sora, the Italian-French singer and diatonic accordionist Giuliano Gabriele here presents his second album,...
Reviewed by Ciro De Rosa in issue: March/2016
Gently swaying rhythms as effortless as lapping waves, melodies infused with the sweet melancholic longing of saudades: the music of...
Reviewed by Alex Robinson in issue: May/2022
Parental guidance: multitude of guest artists. The rapper Common, for example, (dis)graces the opening track on the venerable Mr Mendes'...
Reviewed by Mark Sampson in issue: April/2020
The inaugural Irish Sea Sessions, of which this is an electrifying live recording from last year’s Liverpool Irish Festival, brought...
Reviewed by Kevin Bourke in issue: Jan/Feb/2012
The shadowy timbres of Anouar Brahem's last CD, Le Pas de Chat Noir, made it one of the most striking...
Reviewed by Bill Badley in issue: Jan/Feb/2010
Captivating, exquisite, stunning. The excitable flurry of deserving superlatives that followed Lau's live performances with the Elysian Quartet were even...
Reviewed by Edward Craggs in issue: June/2015
Olga Mieleszczuk is a classically trained Polish singer and accordionist. In recent years she has focused on Yiddish and Jewish...
Reviewed by Helen Beer in issue: Aug/Sept/2013
While the pipa lute and guqin zither are each highly respected and culturally representative instruments of traditional Chinese music, they’re...
Reviewed by Charlie Cawood in issue: May/2025
Pekka Kuusisto, Sam Amidon and the Norwegian Chamber Orchestra
Willows opens with ‘The Lark Ascending’, in which Finnish violinist Pekka Kuusisto strips Vaughan Williams’ tone poem of the romantic...
Reviewed by Julian May in issue: May/2026
In October 2011, Welsh musician Gareth Bonello, aka The Gentle Good, journeyed to the Chinese city of Chengdu, spending six...
Reviewed by Kevin Bourke in issue: Apr/May/2014
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