Reviews
Ambolley
For many of us, our first introduction to the Ghanaian singer and bandleader Gyedu-Blay Ambolley was when Soundway included a...
Reviewed by Nigel Williamson in issue: July/2019
Reggae Power/Woman Capture Man
Whatever the line-up, vocal harmony group The Ethiopians have always been the vehicle of Leonard Dillon. A convert to Rastafarianism,...
Reviewed by Martin Sinnock in issue: May/2018
Acoustic Classics
This may sport one of the least inspiring pieces of cover art you’re ever likely to have seen, but the...
Reviewed by Tim Cumming in issue: October/2014
Cara de Espelho
No one by now can be ignorant of the far-right rise all over the world. In Portugal, the alarm is...
Reviewed by GonÇalo Frota in issue: May/2024
Isolashun
Aditya Prakash’s debut solo album with its phonetic spelling of ‘isolation’ appears to be a direct reference to the pandemic...
Reviewed by Jameela Siddiqi in issue: January/February/2024
Deep Africa
Back in the 90s, Eric Mouquet and his French ‘ethnic electronica collective’ Deep Forest did more than anyone else to...
Reviewed by Nigel Williamson in issue: March/2013
Les Égarés
Ballaké Sissoko, Vincent Segal, Émile Parisien, Vincent Peirani
One has come to expect excellence and refinement from Ballaké Sissoko and Vincent Segal. The Malian-French duo explore a unique...
Reviewed by Daniel Brown in issue: May/2023
An Introduction to John Tams
The seventh in Topic's Introducing series, this a welcome survey of John Tams' solo work alongside two prime cuts from...
Reviewed by Tim Cumming in issue: Aug/Sep/2018
Carretero
Cándido Fabré has proved himself time and again to be one of Cuba's best living soneros. He first attracted...
Reviewed by Jane Cornwell in issue: Jan/Feb/2017
Párhuzamok és Kontrasztok
Amazingly Muzsikás' last record, The Bartók Album, came out in 1998 and was a Top of the World in #1....
Reviewed by Simon Broughton in issue: April/2020
