Over the last half a century or so there have been many attempts to reveal ‘Europe’s unknown music,’ which usually...
Reviewed by Kim Burton in issue: May/2021
O’Connor is a member of a big folk family from Cumbria – her brother Joe’s band Last Orders won the...
Reviewed by Nathaniel Handy in issue: Nov/Dec/2012
Compro Oro with Murat Ertel & Esma Ertel
Simurg is the third album from Belgian psychedelic collective Compro Oro. The album is a collaboration between the group and...
Reviewed by Marek Tymków in issue: Aug/Sept/2020
Wu Man, Luis Conte & Daniel Ho
“What would it sound like,” pondered Wu Man, “if I played folk songs from around the world such as ‘Frère...
Reviewed by Simon Broughton in issue: Jan/Feb/2015
There was an impressive self-titled EP last year from this Canadian power-folk trio but their live-sounding, full-length album debut is...
Reviewed by Kevin Bourke in issue: November/2015
In 2008, Sam Sweeney bought a new instrument – at least, it appeared to be new. But a label inside...
Reviewed by Julian May in issue: Nov/Dec/2014
How the mighty fall. Charles Aznavour is one of the last remaining French icons from an era where only the...
Reviewed by Daniel Brown in issue: October/2015
No niche is too specialist for France's Frémeaux label. This release contains a whopping 66 tracks. But then again, American...
Reviewed by Chris Moss in issue: October/2017
Led by Richard Morse, proprietor of the celebrated Hotel Oloffson in Port-au-Prince, RAM were last heard from before the disastrous...
Reviewed by Nigel Williamson in issue: October/2018
Canadian Dana Sipos has one of those voices usually described in words such as ethereal, ghostly, pastoral or ‘almost identical...
Reviewed by Doug Deloach in issue: October/2015
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