This album by one of the best-known students of the legendary Shivkumar Sharma is a masterclass in santoor playing. In...
Reviewed by Maria Lord in issue: May/2019
This is the latest in a very occasional series of duo albums by the Dominican pianist Michel Camilo and Andalusian...
Reviewed by Jo Setters in issue: Jan/Feb/2017
Synaesthesia is a new release from the Lush Spa/ECC partnership, led by Simon Emmerson, who's lived in Dorset for the...
Reviewed by Tim Cumming in issue: Jan/Feb/2016
It was always going to be interesting to see how Damon Albarn’s Africa Express project would translate to the recording...
Reviewed by Nigel Williamson in issue: March/2014
There's always been a high correlation between Bulgarian musicians of all callings and immense virtuosity, and the correlation becomes even...
Reviewed by Kim Burton in issue: May/2023
When Jason Hamacher, a punk drummer in Washington DC, read William Dalrymple's From the Holy Mountain, he contacted the author...
Reviewed by Nigel Williamson in issue: Aug/Sep/2014
Life can be tough as a percussionist, particularly if you’re a solo artist. Live performance is one thing, but getting...
Reviewed by Laudan Nooshin in issue: Jan/Feb/2015
When it comes to cinema, ‘urban’ may be a synonym for gritty andmonochromatic, but that is most certainly not the...
Reviewed by Russ Slater in issue: October/2013
Judging by recent releases, choro – the Afro-European progenitor of samba – is making a comeback, especially outside its native...
Reviewed by Mark Sampson in issue: November/2019
Ahmad al Khatib’s 2012 album Sabîl was one of the most exciting oud (Arab lute) recordings in recent years. His...
Reviewed by Bill Badley in issue: Jan/Feb/2014
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