Growing up in Germany as part of the Turkish diaspora, Ozan Ata Canani began playing the bağlama and writing songs...
Reviewed by Daniel Spicer in issue: August/2025
Mahmoud Ahmed & The Imperial Bodyguard Band
This latest release in the long running Éthiopiques series is very much a game of two halves. The opening five...
Reviewed by Chris Menist in issue: Nov/Dec/2010
It’s as absurd to generalise about African albums as it would be American or European albums. But over the years...
Reviewed by Howard Male in issue: May/2017
This is Tuva’s one and only Albert Kuvezin’s first Yat-Kha studio album since 2010’s excellent Poets and Lighthouses. Right from...
Reviewed by Michael Ormiston in issue: July/2021
The heavy clacking of the qaraqab (iron castanets) and the hypnotising melodies of the gimbri (three-stringed lute) make it easy...
Reviewed by Alexandra Petropoulos in issue: July/2011
Umpteen albums have come and gone since the original Fairport line-up started playing West Coast pop covers in 1967. As...
Reviewed by Tim Cumming in issue: June/2011
This album is more interesting for the repertoire than for its music. Kalan has always prided itself in releasing recordings...
Reviewed by Simon Broughton in issue: October/2013
Hermeto Pascoal & Grupo Vice Versa
Widely regarded as Brazil's most preternaturally gifted musician, Hermeto Pascoal has covered an incredible amount of creative ground in his...
Reviewed by Brendon Griffin in issue: December/2017
Egyptian vocalist and trumpeter Abdullah Miniawy and French electronicist Simo Cell have been collaborating for just over two years, tinkering...
Reviewed by Martin Longley in issue: April/2021
The fifth album of demon-haunted country blues from Canada’s scariest songwriter. Sinner takes traditional songs as his jumping-off point, expanding...
Reviewed by Paul Slade in issue: April/2026
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