Live in Somerset might not sound very rock‘n’roll. But Steve Knightley is a true stadium star of West Country venues...
Reviewed by Nathaniel Handy in issue: June/2011
Hossein & Raha Alizadeh with the Hamavayan Ensemble
Perhaps the most striking aspect of this recent album by Hossein Alizadeh & the Hamavayan Ensemble is its showcasing of...
Reviewed by Laudan Nooshin in issue: Aug/Sep/2012
The liner notes of this debut album say that the release is a tribute to the ‘musicians of Cambodia's Golden...
Reviewed by John Clewley in issue: Nov/Dec/2011
The colourfully tasteful packaging might suggest that this American/ Brazilian collective see Growing Stone cosying up to the Putumayo compilations...
Reviewed by Howard Male in issue: October/2012
As Iness Mezel's album opens she is very much mistress of her own funk-rock-fusion domain. Her powerful, heavily reverbed voice...
Reviewed by Howard Male in issue: October/2015
Safari Boots are a simple trio of guitar, bass and drums performing African guitar music with influences of predominantly Congolese...
Reviewed by Martin Sinnock in issue: Jan/Feb/2019
Jivan Gasparyan Duduk Ensemble
There are few instruments as beautiful as the Armenian duduk. Its plaintive, reedy tone seems to exude melancholy. Djivan (or...
Reviewed by Simon Broughton in issue: Jan/Feb/2018
Çiğdem Aslan is a Turkish-born, Hackney-based singer who first came to my attention when she joined She’Koyokh, the fabulous Balkan...
Reviewed by Garth Cartwright in issue: Jan/Feb/2017
Remixes are like recipes: it may be possible to create something thrilling out of very little but it really helps...
Reviewed by Bill Badley in issue: March/2016
Oliver Swain is clearly a very talented chap. Not only does he play double-bass, banjo and guitar extremely well, but...
Reviewed by Matt Milton in issue: May/2016
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