Reviews
Don’t Give Up
Born in Kinshasa, Jason Tamba, who began playing guitar at the age of seven on a homemade instrument, went on...
Reviewed by Nigel Williamson in issue: July/2022
O Céu É Velho Há Muito Tempo
Starting of with a ringing guitar chord that seems to signal dread, the latest from Brazil's Lucas Santtana is inextricably...
Reviewed by Russ Slater in issue: December/2019
Reckless Saints
There's something retro and regional about Kim Mayfield's fluffy girlish vocals that pleasantly invokes the late and legendary Tammy Wynette,...
Reviewed by Jeff Kaliss in issue: March/2019
A Thousand Hearts
Five year's after Cara Dillon's last studio album, 2009's Hill of Thieves, comes A Thousand Hearts, a brittle and beautiful...
Reviewed by Michael Quinn in issue: Aug/Sep/2014
The Holy Coming of the Storm
A musical duo that met in Seattle just a year and a half ago, Morrison and West have quickly formed...
Reviewed by Rose Skelton in issue: July/2011
Songs to Scythe Back the Overgrown
This young Manchester-based singer-songwriter and guitarist first made a bit of a name for himself in a duo with fiddler...
Reviewed by Kevin Bourke in issue: July/2012
Bimo
This is the fifth album from the Senegalese griot and kora player who has been UK based for the last...
Reviewed by Martin Sinnock in issue: August/September/2022
Transatlantic Sessions Series 6, Volume One
What started nearly two decades ago as an elegantly simple idea for a TV show – gather together some excellent...
Reviewed by Kevin Bourke in issue: Apr/May/2014
Culture Kin
It has been seven years since the last album from this San Francisco string quartet led by Irene Sazer (a...
Reviewed by Tim Woodall in issue: November/2019
Summat's Brewin’
This talented folk duo's latest project is the Summat's Brewin’ Micro Tour and album, subtitled ‘a celebration of real ale,...
Reviewed by Tim Cumming in issue: Jan/Feb/2016
