Little by little, Antonio Zambujo has been expanding his musical universe up to the point where it doesn't really matter...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2013
Any compilation album with ‘Celtic’ in its title is almost certainly worth avoiding, though there are notable exceptions – Ellipsis...
Reviewed by Geoff Wallis in issue: July/2013
The opening piece on this disc, ‘Mugham Beste – Nigar’, is a song about mugham itself, saying that these Arabic...
Reviewed by Simon Broughton in issue: June/2013
There’s no getting away from it, it’s a bad name for a band. But spicing up the genre of conjunto...
Reviewed by Chris Moss in issue: Apr/May/2010
Clubbers and Cubanophiles alike will leap on this double set from the zeitgeist-riding Gilles Peterson. Financed by Havana Rum and...
Reviewed by Jane Cornwell in issue: Jan/Feb/2010
Mike Marshall is an itinerant vagabond of a musician, and a Johnny Appleseed of the mandolin. For 30-odd years the...
Reviewed by Doug Deloach in issue: March/2011
Eric Bibb: son of Leon Bibb, a fixture in the folk revival scene of the 1960s; nephew of John Lewis,...
Reviewed by Doug Deloach in issue: Apr/May/2012
Boris Malkovsky Time Petah-Tiqva
Boris Malkovsky is a Russian-trained Israeli master of the bayan (diatonic button accordion) and from the very first bars of...
Reviewed by Lemez Lovas in issue: Jan/Feb/2010
Evan Christopher’s Django à la Créole
Evan Christopher is one of the US’s foremost young jazz musicians. Resident in New Orleans, he has worked with musicians...
Reviewed by Garth Cartwright in issue: October/2010
Take Yo Time is the first duo album from Ben Hunter (fiddle, vocals) and Joe Seamons (banjo, guitar, vocals) produced...
Reviewed by Doug Deloach in issue: March/2015
Start your journey and discover the very best music from around the world.
Subscribe