One can always rely on this French outfit to lay before us a grand sonic banquet that incorporates multiple national...
Reviewed by Howard Male in issue: November/2017
The first album from the highly talented Northumbrian singer and flautist Sarah Hayes starts very promisingly. ‘The Fell Line’ is...
Reviewed by Matt Milton in issue: Jan/Feb/2016
If this was the first ever Cesaria Evora album I’d give it four or five stars. Even after a stroke...
Reviewed by Alex Robinson in issue: Jan/Feb/2010
If any serious young Arab singer were going to devise the most challenging recording project imaginable, they'd probably come up...
Reviewed by Bill Badley in issue: June/2012
Cristina Branco has always been a bit reluctant to call herself a fadista. And it is not hard to understand...
Reviewed by GonÇalo Frota in issue: November/2023
The word ‘vimma’ means ‘frenzy’ in Finnish and this young band’s frenzy is against climate change and the despoliation of...
Reviewed by Simon Broughton in issue: January/February/2024
Three years ago, Mieruba – a rarity among crate-digging enterprises in that the label is actually based in West Africa...
Reviewed by Nigel Williamson in issue: March/2024
The sense of community created by Devon folk duo Show of Hands is perhaps their greatest achievement. It begins on...
Reviewed by Nathaniel Handy in issue: March/2024
Dutch-born singer and percussionist Natascha Rogers released ‘O Baba’ as the first single from this album, With its strong Yoruba...
Reviewed by Tom Newell in issue: April/2024
Folk singer and experimental artist Soema Montenegro, born in Buenos Aires, has produced her fifth album in tribute to the...
Reviewed by Huw Hennessy in issue: December/2023
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