Reviews
I Would Not Live Always
I Would Not Live Always opens with a brief burst of burbling electronics before the traditional ballad ‘Lovely Joan’ weighs...
Reviewed by Tim Cumming in issue: Aug/Sep/2021
Pura Vida Conspiracy
It’d be a cliché to mention that salty yeast-based vegetarian spread in relation to whether one has a taste forHütz...
Reviewed by Howard Male in issue: October/2013
Fire & Fortune
There's a strong tradition of classically trained musicians and composers who have been absorbed by and into the folk tradition...
Reviewed by Tim Cumming in issue: Aug/Sept/2013
Gumba Fire: Bubblegum Soul & Synth-Boogie in 1980s South Africa
‘Bubblegum’ was the catch-all term given to Western-influenced popular music in 1980s South Africa, although the term is highly misleading,...
Reviewed by Nigel Williamson in issue: July/2018
Joy of Living: A Tribute to Ewan MacColl
The centenary of Ewan MacColl's birth provides the perfect opportunity for a remarkable collection of artists to celebrate this unique,...
Reviewed by Robin Denselow in issue: November/2015
Alefa Madagascar! Salegy, Soukous & Soul from the Red Island 1974-1984
Another offering from Strut Records' Indian Ocean compilation series, this album of Malagasy songs takes a look at one of...
Reviewed by Lucy Hallam in issue: November/2019
Nuestras Vivencias
Echoes of Spain are an Anglo-Spanish flamenco guitar duo who have just self-produced their first album. They are both more...
Reviewed by Jo Setters in issue: May/2017
Meet the Mahotella Queens
Released in 1966, this was the Mahotella Queens' debut, comprising their first seven singles plus B-sides recorded over the previous...
Reviewed by Nigel Williamson in issue: May/2020
The Sea
Martha Tilston's previous albums mixed lyricism and a clear, ringing voice with social-political themes, but The Sea is her first...
Reviewed by Tim Cumming in issue: Jan/Feb/2015
Burkina Hakili
The West African nation of Burkina Faso has 60 different ethnic groups; in a strong career that includes three albums...
Reviewed by Jane Cornwell in issue: July/2021
