Reviews
Calypso/Belafonte Sings of the Caribbean
‘Day-o! Day-ay-ay-o! Daylight come and me wan’ go home.’ Everyone knows Belafonte's ‘Banana Boat Song’. For several decades following its...
Reviewed by Nigel Williamson in issue: October/2014
Saving the Good Stuff Vol 1
Cast in a pristine C major and underpinned by the hypnotic backdrop of Freya Jonas’ harmonium and David Harbottle's acoustic...
Reviewed by Peter Quinn in issue: May/2023
Music from the Temple of Light
It is hard to sum up the music of Peter Culshaw in a single sentence. It runs the gamut of...
Reviewed by Maria Lord in issue: July/2023
ON – Live at the Jam Jar
A ‘topette’ is a shot of liquor. In Poitou-Charentes, where the band met, it means ‘Cheers!’. Topette!! is thus the...
Reviewed by Julian May in issue: May/2024
Hikikomori
Acho Estol and Dolores Solá have spent 25 years revivifying tango and other Argentinian and international musical genres with wit,...
Reviewed by Chris Moss in issue: July/2021
Special Edition Part 1
Since forming in the 1990s, New Zealand soul-dub-electronic outfit Fat Freddy's Drop have steadily built a deserved reputation as one...
Reviewed by Seth Jordan in issue: March/2020
Maestros del Joropo Oriental: ¡Y Que Viva Venezuela!
Venezuela is more than Hugo Chavez, the Bolivarian revolution, Gustavo Dudamel and the Orchestra Simon Bolivar. Yet all have contributed...
Reviewed by Jan Fairley in issue: Apr/May/2010
Malawi Grooves 1950, ’57 & ’58
The opportunity to travel in time as well as space is all part of the appeal of world music, although...
Reviewed by Mark Hudson in issue: March/2017
A Black & Tan Ball
Ben Hunter, Phil Wiggins & Joe Seamons
This may not be a concert recording, but it has all the spontaneity, intimacy and magic of a great gig:...
Reviewed by Matt Milton in issue: May/2017
Live in Amsterdam
What’s outstanding about this re-released first recording of Cristina Branco, from 1997, is not only that we get to hear...
Reviewed by GonÇalo Frota in issue: March/2012
