Reviews
Alex Wilson Presents Salsa Veritas: Truly for Dancers
UK-born jazz pianist¬producer Alex Wilson might spend most of his time in Switzer¬land – one of the several countries he...
Reviewed by Jane Cornwell in issue: Jan/Feb/2012
The Rough Guide to the Roots of Gospel
In the early days of popular recording, blues and gospel marched hand in hand – God’s music and the devil’s...
Reviewed by Nigel Williamson in issue: October/2020
Goblet of Eternal Light
Ali Akbar Moradi & Bahar Movahed
Ali Akbar Moradi is a master of the Kurdish tanbur (long-necked lute) and one of the great traditional musicians of...
Reviewed by Simon Broughton in issue: Aug/Sep/2012
Potions and Poison
The opening track here sets a precedent for the remaining nine original songs on the fourth album by the Colorado-based...
Reviewed by Doug Deloach in issue: Jan/Feb/2018
Reclaim Australia
While it is frequently powerful, contemporary Australian Aboriginal music is usually non-confrontational – a traditional-meets-modern combination full of heartfelt lyrics...
Reviewed by Seth Jordan in issue: October/2017
Dancing Time: The Best of Eastern Nigeria's Afro Rock Exponents 1973-77
As suggested in the title, The Funkees were one of the Nigerian bands in the 1970s whose musical bias lay...
Reviewed by Martin Sinnock in issue: June/2012
Live
A veteran of Mali’s oldest dance orchestra Super Biton de Ségou, Mama Sissoko became the band’s guitarist in 1972. When...
Reviewed by Nigel Williamson in issue: April/2024
Canu Rhydd
The literal translation of Canu Rhydd is ‘free poetry’; with their latest album Fernhill continue their pioneering exploration of vernacular...
Reviewed by Julian May in issue: Apr/May/2011
Time Does Not Exist for Light
One shouldn’t have to begin by pointing out that sitar player Josh Feinberg is American, but non-Indian sitarists of this...
Reviewed by Simon Broughton in issue: November/2020
